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Old Omen: Something Bluesy This Way Comes

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By Johnny Griffith

Tyler is a city with an impressive amount of homegrown talent that spans an eclectic mix of styles. However, it is a fair observation to say that Country and Rock take up a vast majority of the real estate on local stages though recently, acts from other genres, such as Blues, Jazz, and Pop, are making their own place in the musical soul of the city. One of these projects, Lindsay Boone and Grady Axton Davis, the duo known as Old Omen, has brought their love of some of these divergent styles together to create a spooky good blend of gritty, soulful vocals and powerful, bluesy guitar. Together, they’ve been on an upward trajectory as they broaden the auditory palates of local music patrons.

We sat down with the dynamic duo recently to get better acquainted:

Johnny: So let’s start with the name of the project: “Old Omen.” What’s the significance of the name?

Grady: I always thought it was a creepy sounding road in Tyler, and it’s always made me laugh. It came up when we were trying to think of a band name. We wanted something with significance to East Texas.


Lindsay: Something that somehow captured our sound too. I love that there could be a great character behind the name. I picture an old guy smoking on his front porch, listening to blues, and I imagine he’d like our songs.

Johnny: Your bio says you met each other at a Beatles tribute show where you

subsequently ended up performing a couple of shows together. When and where was this, and how were you two put together at that show?

Lindsay: We both played in these tribute shows that Matt Magill puts together at The Foundry, and became friends through that. We really bonded at the Beatles show because we’re both crazy fans of their music, and ended up talking for hours about 1960’s music and how much we loved it. I’d seen him play; he’d heard me sing, and shortly afterward I sent him what ended up being a pretty important text: “Hey, want to be in a blues band together?” Ha!

Johnny: When did you individually first get into music?

Grady: My uncle always played, so I grew up watching him. I was transfixed, watching his fingers, hearing the sounds; I just thought it was awesome. I got a guitar in fifth grade but never played it, and a few years later asked for a telescope for Christmas. My dad reminded me of the guitar I hadn’t played, and I wanted to prove I deserved the telescope, so I started playing that guitar. Then I became absolutely hooked. That Christmas I also used a CD my dad got as a gift to test out my new Discman, and it was the “Best of Cream.” I remember pressing play and hearing this psychedelic Eric Clapton, this nutso guitar, and I knew what I wanted to do in life.

Lindsay: My parents aren’’t musical at all, but thankfully insisted I start piano lessons at eight years old. I devoured every practice book, every piece of sheet music, everything my teacher gave me, and within two years was so tired of playing other people’s stuff that I wanted to write my own. I picked up other instruments along the way, and after hearing jazz vocalists from the 1940’s in college, realized I could use my voice as an instrument, and thankfully, it came easiest to me.

Johnny: Who were your early musical influences?

Grady: Tom Petty, Eric Clapton, Jimi Hendrix.

Lindsay: Fiona Apple, Ella Fitzgerald, Paul McCartney.

Johnny: Obviously you two traveled different stylistic paths to get to where you are to the point where the bio on your website says, “he showed her Led Zeppelin, she showed him Otis Redding.” How do you think those disparate perspectives have helped you craft this unique sound?


Grady: I think your questions answers the question. I bring mashed potatoes, she brings gravy.

Lindsay: He’s M&M’s, and I’m Skittles. Our differences make us so musically strong and create a different sort of blend. You have the super bluesy, raw, rock-based acoustic guitar with strong jazzy female vocal; it’s just a cool sound.

Johnny: Speaking of that sound, it’s been described as “bluesy, swampy, folk-rock.” So break that down for us a bit more. I’ve heard your music, and it seems to me to be like someone took a little bit of Robert Johnson, Stevie Ray, Bonnie Raitt, Brittany Howard, Rolling Stones, tossed them together and sprinkled a bit of Mellencamp over the top for good measure. How would YOU clarify it to someone who hadn’t heard you before?

Grady: That sounds good to me!

Lindsay: I’d throw in some Civil Wars and Etta James in there, but that sounds like a major compliment. Any comparison to Brittany Howard is pretty damn flattering.

Johnny: When and where was your first show as “Old Omen?”

Lindsay: We unveiled the name at the next tribute show, a Dolly Parton show, where we did a killer version of “I Will Always Love You,” in a minor key. It was very haunting, totally unlike the original.

Johnny: Are you primarily a duo, or do you gig with a full band sometimes? If you use a band at times, who fills out the stage?

Lindsay: At its heart, Old Omen is a duo, but we do enjoy occasionally playing with a full band. We often ask jazz bassist Chris Pitts to join us, and even do a more classic-rock quartet with drummer Jeff Shelton and bassist Bill Scott.

Johnny: What has been the most memorable moment for you, on or off stage, since you’ve been performing together as Old Omen?

Grady: Lola’s (one of our first gigs) was such a good initial place to play, just honing what we do at a sandwich shop, and having kids come and dance. Also, we’re pretty proud that we’re 100% for country clubs not asking us back.

Lindsay: The first weekend we had three gigs in 24 hours, just living on music and driving around. It was pretty amazing. It showed me how much I wanted my life to be this way.

Johnny: How has the response to this project been so far?

Grady: We hope it’s something very different in the Tyler music scene. I think the genres we’re tapping into don’t get on display very often in Tyler, or even outside of Tyler. You don’t get just a ton of bluesy soul original music, and I hope people think, “That’s a lot of sound for just two people to be producing.”

Johnny: What’s on the horizon for you guys the rest of 2017 and beyond?

Lindsay: We’re so pumped for our first album (self-titled), which will be released on July 22nd and available on iTunes, Spotify, etc. We’re having a big block party outside El Guapo Records and ETX Brewing Co. to promote and celebrate its release. We hope to go on a North Texas tour in August as well, and continue to gig heavily in East Texas.

Johnny: What would you tell someone about to sit down and listen to an Old Omen show to expect?

Lindsay: Something different, something vibrant and original and full of passion. We play with our souls on our sleeves, and I want everyone who hears us to know it. You’re just not going to see a guitarist like Grady every day; he plays with such fire and such love for blues and rock, and I’m hoping I can overpower you enough with my voice to feel it in your chest.

Upcoming Old Omen Shows:

  • July 15th: Athens Brewing Company-Athens
  • July 22nd: Lola’s- Tyler
  • July 22nd: El Guapo Records-Tyler, Tx (Album Release Date)
  • July 28th: ETX Brewing Company-Tyler

Old Omen on the Web:





Stefan Cotter: A Little Out Of The Ordinary


By Johnny Griffith

It’s the weekend. You want to get out of your home and enjoy some time out. Maybe some dinner and afterwards, a bit of live music at one of the venues around town but you want something a little different than the usual. Not that the usual isn’t good, but you’re just marching to the beat of a different drum today and want a soundtrack to accompany your mood. If that is the case, then you need to find where Stefan Cotter is playing and make your way to one of his shows.

Originally a product of Morgantown, West Virginia, the unique singer/songwriter eventually found his way to East Texas with his wife about 8 years ago and has been doing things a little differently ever since. With the ability to be comfortable playing multiple and disparate genres, Cotter has contributed to many local groups and continues to entertain audiences all over the region with his eclectic brand of musicianship that is definitely not the ordinary.

We tracked Stefan down to get a better perspective on what he’s doing and how he’s doing it:

Johnny: What were your earliest musical memories and what got you interested in being a musician initially?

Stefan: My dad is a trumpet player/teacher, who is finally retiring this year, and I remember him writing out “Mary Had a Little Lamb” and teaching me how to read music on the trumpet. As I recall, that was about 4th grade. He also did a lot of musical theater gigs in the summer when I was little and I used to go sit in the orchestra pit with all of the musicians and I thought it was awesome fun. Those people were great musicians, some of whom I still know to this day. I also got to experience him as my high school band director, which made for a lot of great fun! One memory that sticks out was probably around second grade when he let me march with the high school marching band and play cymbals in the small town we lived in during that time.

Johnny: Your bio on ReverbNation cites your genre as reggae, rockabilly, bluegrass, and rock. That’s an unique mix, especially in this neck of the woods. What are some of your staple cover tunes that really highlight a Stefan Cotter show?

Stefan: I have a lot of “favorite” cover songs but some that have stuck with me are: “Don’t Let Me Down” by the Beatles, “Valerie” by The Zutons, “Could You Be Loved and Waiting in Vain” by Bob Marley, plenty of 50’s country and rock ‘n roll, Chuck Berry’s “Roll over Beethoven,” and lots of old traditional bluegrass as well. Coming from West Virginia, bluegrass and old time music is everywhere.

Johnny: What drew you to those styles of music as your genres of choice?

Stefan: I have no logical explanation, but I assume the excitement. If the music is good, I get excited and the feet start stompin’. You know it when you hear it. That goes for reggae, jazz…anything. Also, I think punk rock/ska was my first love I reckon and there is something very punk rock about Chuck Berry, early Beatles, and early rockabilly. There’s just tons of energy. To add to that, the guy that taught me how to run a real sound system, Paul Vallett, also introduced me to REAL roots reggae, “Rock Steady,” and reggae dub. There is nothing better than testing a full on sound system when there is nobody there and just pounding that low and slow reggae. So that’s where the reggae came in I suppose.

Johnny: Who would you say your biggest musical influences were when you were discovering your “sound?”

Stefan: It’s constantly evolving, and that includes my sound too I guess. Sublime was my favorite band for a long time in Junior High and High School. Reel Big Fish was what band I wanted to be in. I was in Jazz band and the orchestra in high school so that brought in a lot of new music. Then I got into jazz/ classical music in college. I was obviously exposed to a ton of different ideas and I loved it. Again, the reggae sound system, then I found Django Reinhardt, who is my all time favorite guitarist. Bob Wills and John Prine and suddenly I get lost again on an entirely different rabbit hole. I’m also constantly influenced by the bands that I’ve played with, both as a college credit or rock bands that I played around with in Morgantown, most notably The Greens. You should check them out, those guys absolutely rock!

Johnny: Are you primarily a solo act or do you work with a stage band?

Stefan: Actually I try not to play solo any more. Its too much fun to play with other people. We’ve got Big Funky Cloud (BFC) at Stanley’s every Wednesday with Keith (“Grease”) Jones on bass, Nick Pencis on drums, Gary Freeman on keys, and myself.

Then we’ve got a string band that we call The Thing Band for lack of a better name. It is with Gary Freeman (keys), Jake Ham (drums) and myself play as a trio sometimes, and we throw in Jopi Drew (bass) for good measure when we can. Jake Ham and Jopi Drew and I have been playing music for the past 8 years or more and love it.

Johnny: About how many shows a month are you currently playing?

Stefan: I play about four shows a week. I play with BFC every Wednesday at Stanley’s BBQ and every Saturday with my old time/bluegrass band at The Grove and others thrown in there depending on the week.

Johnny: How many originals do you usually try to work into an average set?

Stefan: I try to work in about 10-12 but it just depends on the crowd and the night. Sometimes people are in the mood to dance to songs they know, but every now and then you can slip some originals in and the crowd will respond positively. Those are the nights you know it’ll be a fun time.

Johnny: Are you primarily playing in this area or are you traveling to other markets to play gigs?

Stefan: I’m currently just sticking around town. I’d like to get into Dallas but you’ve got to have some momentum to make money there and right now I’m trying to build that locally to be able to parlay that into some attention in the Dallas scene.

Johnny: How would you describe a typical set for a new listener?

Stefan: I call it “Rastabilly”which is lots of fun party-type reggae and old fashioned rockabilly/country/bluegrass all mixed with gypsy jazz. Be ready to dance!

Johnny: What’s on your radar for the rest of the year and beyond?

Stefan: Right now, just keeping busy playing shows mainly. Playing on my fellow bandmates records and hopefully being able to compile an album myself.

Be sure to check out Stefan Cotter online at or

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Chris Oliver & Company: Making The Connection


By Johnny Griffith

If you’ve been to The Grove in Tyler recently on a Sunday morning for brunch, chances are you’ve been listening to the solid grooves of Chris Oliver & Company whether you realized it or not. Originally born in Tyler, Chris attended both Robert E Lee and John Tyler high schools before finishing at North Garland High School in 1995. Eventually moving back to Tyler, Oliver has been a mainstay in the music scene for several years. An accomplished drummer, Chris now fronts the eponymous Chris Oliver & Company and their mission is to make sure you walk away from a show with a smile on your face and the beat in your heart.

We talked with Chris recently to get more info on what they’ve got going:

Johnny: Who makes up the “& Company” portion of Chris Oliver & Company?

Chris: Chris Oliver & Company is myself, Josh Brock, Calvin Sheffield, and Dr. George Faber. That’s been the lineup since we started.

Johnny: How did you guys all meet?

Chris: I grew up with Calvin pretty much all my life and he’s been one of my best friends. We’ve played in church as well as playing in several other bands around the area including being the rhythm section for Wesley Pruitt. Dr. Faber has pretty much been a mentor to both of us since we were both young and has been playing forever. I met Josh Brock about 4 years ago and he was one of those guys that came in and fit like he’d been with us for years.

Johnny: How did Chris Oliver & Company form?

Chris: About 2 years ago, from another gig I was doing, I was asked to do a Sunday brunch show over at The Grove. I had to put together a band specifically for that and, you know, it’s not easy getting a bunch of musicians to do a mid-morning gig on Sunday after playing out till 2am the night before. That first bunch I put together is still Chris Oliver & Company today.

Johnny: You guys play a superb mix of songs…what genre would you consider your wheelhouse?

Chris: That’s a hard question. Everything has a season and I can look back and see where my musical life has been a steady progression with different styles and preferences each taking their turn. If I had to pick one singular style, I’d have to say blues-ish, but it’s really not that simple.

Johnny: You guys were invited to play down in Austin at the Heart of Texas Blues Challenge last year. How was that experience and what do you feel you learned as a band?

Chris: Yeah, we got the invite down there so Josh, myself, and another bass player went down due to Calvin not being able to make it, and we auditioned. They were impressed enough that we were invited to actually participate. We went back down in August and won the preliminary round which got us to the finals. While we were eventually beat out, it was a great experience. The finals were at Antone’s in Austin which has had some legendary players on stage over the years. That atmosphere, on that stage, you could feel the vibe and the history and we grew a lot from that.

Johnny: How far are you traveling to play shows at this point?

Chris: Right now we’re staying local until our album is finished. We will be getting ready to do a tour after that, which will take us out of state but until then it’s home.

Johnny: About how many shows are you playing a month these days?

Chris: We’re mainly hitting about four shows a month, really focusing on the album, and playing the standing brunch gig at The Grove.

Johnny: How have local crowds reacted to a band that doesn’t really fit the mold for this region?

Chris: Every time we hit the stage, I don’t care where it is, if they call us to play and you see this band and our show, I want you to have an experience. If you’re down, we’re going to hit a point in the set where we’re going to lift you up. But we’re not really there playing for the masses…we’re there for that individual and when you connect with lots of people on an individual level, something special happens.

Johnny: Are you working originals into your set list or is it primarily cover tunes?

Chris: It really depends on how we’re feeling that day. Some people who have heard our originals will ask for them but it really depends on the vibe. Sometimes we will throw some out and see what kind of reaction we get.

Johnny: How would you describe a typical Chris Oliver & Company show?

Chris: We try to get your attention, make you listen, make you have fun…we might take you to church, it just depends, but we always end with thank you and an appreciation for the audience.

Johnny: Any big plans on the horizon for the rest of the year?

Chris: Our main priority right now is finishing the album and putting together a tour to get the word out.

Johnny: So after two years of Chris Oliver & Company, what would you say has been your most memorable gig to this point?

Chris: That Antone’s gig for the Blues Challenge was easily most memorable. Everyone brought their “A” game and was on point. Again, that combined with the history of that place and the players that have graced that stage…it was unforgettable.

Johnny: Who would you say you’re listening to right now that gets you excited?

Chris: I’d say right now I’ve been listening to a lot of Donnie Hathaway vocally, but I’m just a fan of music in general.

You can catch Chris Oliver & Company at You can also catch Chris Oliver & Company most Sundays during brunch at The Grove in Tyler.

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