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The Glory of Stained Glass: Church Art

By A. C. Slaughter

When you walk into Marvin Methodist Church in downtown Tyler you can’t help but be amazed at the awesomeness surrounding you. The light from the walls, which are darned with stained glass windows, is unlike any other. As you stand in the sanctuary you find yourself amazed at the grand glory each stained glass window produces. Maybe it’s the luminosity of each pane that transcends your immediate surroundings, other worldly, spiritual in its mere essence or perhaps it is the scale and color that evokes the most pure of heart. Whatever you wish to call it, you are amazed, taken aback and humbled before the glory that is, stained glass.

The history of stained glass dates back one thousand years and while the definite details of whose was the first and which region produced the finest is not set in stone, what we do know is how miraculous it is to think that at a time before running water, before electricity and any modern convenience, some of the world’s grandest buildings were being built and some of the world’s greatest art was produced with nothing more than man’s hands and the earth, both what the good Lord gave us. Glass making has been around since the 1st century BC. That’s a long, long time ago and since then new techniques have been introduced and perfected but the original methods still remain today. Stained glass and/or painted glass, was originally made by adding metallic salts during the glass manufacturing. Painted glass which is also referred to as stained glass is slightly different in that the colors are mixed and painted on after the glass pieces have been produced. Pure stained glass includes the colored salts in the glass making process. Cobalt, manganese, nickel, and cadmium are just a few of the minerals that make up the traditional green, blue, red, yellow, purple and white colors found in stained glass. Panels of stained glass are held together by strips of lead which you can see running through many pieces. The lead held the smaller pieces together which were fused into larger pieces eventually reaching heights of 20 feet or more. The lead started out as utilitarian but over the years has become part of the design. Bars of lead are also found running horizontally through the panels to further support the weight of the glass. (Some manufacturers still use this traditional method today although there are developments in the production of stained glass that allows for these bars to be removed.) Each stained panel is braced by a frame usually made of wood which is usually carved, sometimes very ornate to accentuate the colored glass.

The Egyptians and Romans started making small stained glass ornaments and vessels in the 1st century BC. Next we see churches in Britain start to use it in the 7th century followed by the Middle East and Southwest Asia in the 8th century. A resurgence of stained glass appears in the 10th-16th century BC. During this time period we see it used mostly in churches. Traditionally, panels told a story depicting scenes from the bible or other stories passed down through the generations. Stained glass in churches reached its height of popularity in the middles ages, and is sometimes referred to as Medieval Glass. This time period, otherwise known as the Renaissance, is when churches all over the world embraced this art and used it liberally. Made popular during the Renaissance is the circular window known as a Rose Window. The Chartres Cathedral in France is known to house the finest Rose Window ever made dating back to the 13th century.

Because of the popularity of stained glass, manufacturing companies popped up in different countries which made it even more accessible and affordable and in turn supported the popularity of the product even more so. Germany and France were two of the leading manufacturers of stained glass during this time.

19th century Britain and the revival of the Catholic Church brought about a resurgence of the art. Having fallen out of use, the rebuilding of churches in Britain spurred a new interest in the glass. The French Revolution of the late 18th century destroyed many public buildings including churches and after the rebuilding of Britain, France followed suit and rebuilt many churches mimicking a majority of their original stained glass designs. Germany was next with its rebuilding of churches in the medieval style. That brings us into the late 19th century where we find stained glass has made its way to America and into the gifted hands of artisan Louis Comfort Tiffany who is the founder of Tiffany Glass Incorporated and yes, the son of Charles Lewis Tiffany, founder of Tiffany and Company.

Stained glass has a brilliant history spanning decades, making its way back and forth across the globe and although not all of us own a Tiffany lamp, the beauty of stained glass is at each and everyone’s fingertips, you just need to know where to look.

In East Texas there are churches all over that house some sort of colored glass but few challenge the grandness of the older churches found right here, in downtown Tyler.

Christ Episcopal Church, located on Bois D’Arc, has a one of a kind collection of 16 painted glass panels made by the famous St. Louis House of Jacoby. The sanctuary walls are adorned with the story of Jesus from Annunciation to Resurrection. Founded in 1866 the Christ Church began meeting in the old Federal Court Room but later completed work on the new building, the current location, in 1918. As April is the month of Easter, what could be more beautiful than taking time to view these remarkable images celebrating the life of Jesus Christ. Designed by German glass makers, the windows are made in the old traditional style with lead ribbons running through the glass. When you are in front of the Last Supper, the large window spanning the back wall, you can’t help but be amazed. It is a true and blessed work of art.

Across the street is Marvin Methodist. As mentioned earlier, their windows are mighty and luminous. The imagery on these panels is symbolic, rather than narrative, ever reminding us of God’s presence. The Anchor is a symbol of hope and steadfastness; Cross and Crown are a reward for those who are faithful until death; Fleur-de-lis is the Trinity; Wheat and Sickle is a symbol of the harvest; and the Lamp is the word of God showing us where to go. As the story goes, a trunk with all the old papers and history of the church was stolen way back in the early 1900s and since no copies had been made there are no definite dates for when the stained glass was added, who made it or what was paid for it. The sanctuary was built in the late 1800s and a remodel in 2001 added new stained glass across the bottom back of the church where the original entrance doors once stood – and that, my friends, is about all we know.

Another fun, historic story comes from First Baptist Church which is located down the street a bit on Ferguson. Built in 1913, the church went through an extensive remodel in the early 70’s. Apparently, during this remodel, the church was divided; half the members wanted to keep the original stained glass windows and the other half wanted to install new ones. Legend has it that the two men heading the charge on each side were good friends and in the end a compromise was made. The sanctuary would receive new windows but the church would keep a hallway on the second floor behind the baptistery containing the original stained glass. And the old windows made it into the hands and home of one of these gentlemen whose name will not be mentioned. The original windows were quite impressive in that they were two paned allowing them to be raised which allowed for a block of ice to sit in the window during the lovely East Texas summers. And the story is that Dr. Bailes, who was pastor of the church from 1929-1956, told his congregation that they were lucky to have the only air conditioned church in town.

The history of stained glass is thick much like the panels themselves and rich with life like the colors of the glass which just like us, come from the earth. Easter is a special time for many churches and here in Tyler, Texas we have plenty to choose from. Take time to reflect and give yourself a dose of history by visiting one of these significant churches. Whether you like the old world style of stained glass adorning your service or you prefer a newer more modern approach to worship, may your Easter be special for you and yours, ever reminding us to live a life of gratitude.

The next time you are in front of a stained glass window may you have a newfound respect and admiration for something so beautiful and that so many of us take for granted. And that, my friend, is the reason for the season.

Happy Easter East Texas.

Art

Call for Entries: Art of Peace Tyler Visual Art Exhibit

Entries are now being accepted for the “Sowing Seeds of Peace” Visual Art Exhibit as part of the Art of Peace – Tyler celebration, a citywide commemoration of the United Nations International Day of Peace, September 21st.

“Art of Peace – Tyler is happy to once again to partner with the Tyler Museum of Art to invite regional artists to offer their creative responses to the idea of peace and to our 2018 theme, ‘Sowing Seeds of Peace’,” said Anne McCrady, co-founder and co-director of the peace event.

The visual art show will be presented as a juried exhibit in the museum’s education classroom September 16th-23rd, at the Tyler Museum of Art, 1300 S. Mahon Ave, on the Tyler Junior College main campus. The exhibit will be open to the public and admission is free.

The jury for selection will consist of members of the Art of Peace – Tyler committee and TMA representatives. The jury has the option to select up to two works per artist for inclusion in the show. Past exhibits have included the work of artists from Austin, Dallas, Lubbock and the East Texas area.

“We are privileged that the Art of Peace – Tyler committee once again has asked us to be the host venue for this exhibition,” TMA Executive Director Chris Leahy said. “The work we have seen over the past four years of our partnership has grown increasingly more dynamic and accomplished, and we are proud to have the opportunity to participate in such a great community event.”  

For more information about Art of Peace – Tyler events, visit tylerpeace.com. For questions about the art exhibition, e-mail artofpeaceart@gmail.com.

Sunday, September 23rd, there will be an Artist reception at 3pm.

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David Bates: Works from Texas Collections on Exhibit

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The Tyler Museum of Art (TMA) is located at 1300 S. Mahon Ave. on the Tyler Junior College main campus. Regular TMA hours are 10am-5pm Tuesday-Saturday, and 1-5pm Sunday. The Museum is closed Mondays and most major holidays. The Museum is supported by its members, Tyler Junior College, and the City of Tyler. For more info call the museum at (903)595-1001, tylermuseum.org, or email info@tylermuseum.org.

David Bates, one of the most acclaimed artists in Dallas, is the focus of Tyler Museum of Art’s summer exhibition, “David Bates: Selected Works from Texas Collections” on view through September 9th.

Curated by the museum’s Caleb Bell, the exhibition features close to 30 works surveying the prolific career of Bates, one of the most versatile and widely collected contemporary Texas artists. Spanning art from 1982 to 2016 works in the show highlight several of Bates’ most celebrated series and include a wide array of media: oil painting, lithographs, woodcuts, screenprints and bronze sculpture. The show was assembled from art in public and private collections throughout the state, including the museum’s own permanent collection. Bates’ work is widely exhibited and included in several museum and corporate art collections.

Admission is $6 for adults and $4 for seniors. Museum members, students, TJC faculty/staff and city of Tyler employees are admitted free. Support for exhibit is provided by The Byars Foundation.

Family Days

Free admission, interactive art projects, light snacks and a festive atmosphere for all ages are on the menu from 2-4pm the second Saturday of each month with the Tyler Museum of Art’s Family Day. This popular program focuses on fostering a deeper understanding of the Museum’s spotlight exhibitions – and, above all, having fun! To RSVP for groups of 10 or more, please call (903)595-1001 or e-mail info@tylermuseum.org.

First Friday

The first Friday of each month, the TMA offers a full day of free admission plus guided tours of its spotlight exhibitions at 11am. From contemporary Texas art to Hudson River School to Andy Warhol, each tour is unique.

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Around East Texas

Inside the Artist’s Studio: Dedicated Young Warriors


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The Art and Illustrations of Micah Lewis

By Derrick White

“I continually push myself to try a new medium or style, or just simply work harder with what I’ve got. I’ve grown to love studies in my sketchbooks and understand the importance of slowing down for a bit and working out the kinks or just wrapping my mind around how to draw something,” states local artist Micah Lewis. In my career as an art professor at TJC, I work with many students who aspire to become professional artists. After decades of instructing, I have found the most important qualities in making the dream of living as a professional artist come true are dedication and perseverance. Those who are truly dedicated to their art and process will succeed and they persist through all setbacks.

Micah Lewis is one such devoted artist living and working from the red brick streets in downtown Tyler. My first introduction to Micah was through a Facebook page coordinating Free Art Fridays encouraging participants to place or seek hidden art in downtown Tyler and beyond. We have connected through social media, and I have had the pleasure of meeting her in real life at local establishments. Through her posts and comments one can conclude she is a fun, determined, dedicated, persistent and successful artist. In addition to being a professional artist, Micah is also a committed wife and mother. Her web site describes Micah as, “a self-taught artist who finds beauty in all of God’s creation, particularly in people… and coffee. Having a heart for creativity from a young age, she draws inspiration from tattoo art, comic books, or old Godzilla movies. Additionally, she has a peculiar knack for portraits where she can capture the natural emotion present in each subject.”

My formal training was limited to half a semester of art during my sophomore year of high school. Somehow, I ended up in a class full of students just attempting to fill a credit. It was a disruptive environment in which the other students regularly sabotaged my projects. So, my path has been one of self-learning with trial and error,” says Lewis. Micah’s art is influenced by comic book art and executed through her unique surrealist lens. She considers her style of art lowbrow and also enjoys painting watercolor portraits. She states, “Four years ago, if someone told me I would love watercolor and use it almost daily, I would not have believed it. I used to loathe watercolor. It didn’t seem like there was a lot of control. It just wasn’t as smooth as I like. When I revisited the concept after a few years I fell in love. I really and truly enjoy creating with watercolor. In achieving a variety of line weights, I use a Pentel pocket brush pen (typically used for calligraphy). I love the contrast inking gives my pieces. It pulls the soft washes together with bolder, inconsistent lines.”

Like many artists, Micah can trace her inspiration back to childhood. “It’s difficult to pinpoint. The earliest drawings I recall were on the inside cover of the coloring books my sisters and I had. Coloring a picture felt like more of a chore to me. So, I just drew my own pictures on the blank inner covers. Sorry, Lisa Frank! When I got a bit older, I kept a sketchbook. It just became a part of who I am. It is shocking to me I became a professional artist. It still baffles me. I remember telling people I wanted to be an artist when I grew up as early as first grade, and maybe I was just too stubborn to not make it happen,” states the artist.

For Micah, dedication and perseverance in her art means growth. She explains, “I can always learn, study, and work towards improvement. Finding a voice is difficult; especially given the understanding your audience may never quite comprehend the images in your mind and the emotions accompanying those images. I think it is pretty easy to pander to your audience with the pressure for success but creating, for me, was never meant to be superficial. The intent of art is communication, and communication on a deep level of who we are and the emotions driving us as people. Art should be a connection, but not a cheap one. I still have to remind myself of this from time to time and just strive to be authentic.”

Micah Lewis finds inspiration in the work of other artists, citing one of her favorites is Berlinde de Bruyckere (a Belgian contemporary artist sculpting unsettling forms in various media including wax, wood, wool, horse skin and hair. She also works in watercolor). “I hope one day I have the opportunity to meet her or just experience one of her installations in person. Her ability to sculpt with wax, wood, and natural fibers is pure wizardry and you’ll never convince me otherwise. I have a copy of her book, “In the Woods There Were Chainsaws.” The pages are yellowed and warped and the spine has a gash in it, but it’s only because I’ve loved it so dang much. I draw so much inspiration from her dedication to detail,” exclaims Lewis.

Micah’s life and art career are very busy with multiple upcoming projects. “This summer, I will be working on a few murals around Tyler, one for Strada Caffè and I am also working on a few murals at True Vine Brewing Company in their new location (2453 Earl Campbell Pkwy) and later this year, I’m excited to curate my first show for The Foundry Coffee House in downtown Tyler. Submissions will start in November and the show will open in January. I’m excited to meet new artists and take on this new role. Interested artists should follow the Foundry Coffee House’s Facebook page for more information as it becomes available. Locally, you can find Micah’s original artworks and prints available for purchase at El Guapo Records, Strada Caffè, The Foundry, and Moss just to name a few local love friendly places.

You can follow the art, projects and progress of Micah Lewis at:

www.instagram.com/theyoungwarrior

www.facebook.com/micahtheyoungwarrior

www.micahlewisart.com/

Commission or collaboration requests can be filled out via the contact form on Micah Lewis’ web site. I recommend you commit yourself to looking through and purchasing some of these dedicated young warrior’s creations for your very own.


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