“Legally Blonde” opens July 20th-23rd, July 27th-30th, and August 3rd-6th (Evenings at 7:30pm, Sundays at 2:30pm) and will be on stage at Tyler Civic Theatre, located at 400 Rose Park Dr., Tyler, next to the Tyler Rose Garden Center. The box office is open Monday-Friday, 10am-1pm and 2-5pm. For more info call (903)592-0561 or tylercivictheatre.com.
After a very successful run of special summer shows, including a one week run of “Rock of Ages” at Liberty Hall and a one week run of “Peter Pan Jr.,” Tyler Civic Theatre is kicking off its 69th season in style. As always, each season begins with a big summer musical, and this year TCT has gone blonde. “Legally Blonde,” that is.
Based on the 2001 film of the same name, which itself was based on the novel by Amanda Brown, the heroine of our story is Elle Woods (Sarah Smith), current President of the Delta Nu sorority, a fashion major with a 4.0, and bride to be. Or at least she hopes to be. She and her sisters anticipate that her longtime boyfriend, Warner Huntington III (Bryce Neal), is going to propose before heading off to law school. When he breaks up with her instead, stating that he needs someone more “serious,” Elle decides she too will get into Harvard Law School. By studying hard instead of partying, she finds herself accepted into the school, but not accepted by her classmates.
Harvard doesn’t really matter to Elle, as she is there for love. Warner is naturally shocked that Elle has followed him to Harvard, and even more shocked that she got in. However, the biggest shock comes to Elle when she meets Warner’s new girlfriend, Vivienne (Amanda Spangler), who manages to get our love sick heroine kicked out of Professor Callahan’s class for not being prepared. After some more humiliation, Elle seeks comfort at the salon. There she meets Paulette (Kim Hodges), another unlucky in love woman stuck in the college town, making her first friend. Her second friend comes in the form of Emmett (Cameron Davis), Callahan’s assistant who believes Elle could succeed if she would just apply herself.
Elle begins to take her studies seriously, impressing Callahan. Things get shaken up and Callahan is hired by successful fitness guru, Brooke Wyndham (Tessa Anderson), as her defense after being arrested for her husband’s murder. It is announced that Callahan will pick the four best students to help on the case, assuring them a job at the end of the trial if they win. To everyone’s surprise, Elle is picked along with Vivienne, Warner, and activist turned law student Enid (Nicki Dempsey). Elle gains Brooke’s trust, as they are both Delta Nu members, and Brooke gives Elle her alibi but makes her promise not to reveal it to anybody. To the annoyance of her team, Elle makes them search for other ways to prove Brooke’s innocence. However, winning the case will be no easy feat, making Elle have to prove she is worthy of being a Harvard Law Student and one of Callahan’s associates.
“Legally Blonde” was directed by Kathleen Hemness, her first directorial job with Civic Theatre. With assistance from choreographer Shelby Moy, music director May Wright, and a talented production crew, they brought this show to life. Armed with a cast of TCT veterans and some actors making their debuts on the Civic Theatre stage, this show will no doubt please anyone that sees it. It’s, for lack of a more appropriate word, cute, but that’s not demeaning. This show is supposed to cute. It’s also really funny and if you don’t have at least one of the songs stuck in your head on the drive home, then you weren’t paying attention.
The cast for this show is huge, so I don’t quite have the space to name every single person on stage, which annoys me, but it’s clear every member of this cast worked hard to nail their roles. Smith, as our lead, shines. She is a delight to watch, making the character her own and not just copying what was done in the movie. Neal is great as Warner, along with a second character that I will not spoil for you where he truly is hilarious.
Davis is fantastic as Emmett, becoming the character I almost ended up rooting for more over Elle. Spangler, a veteran of many TCT shows, is wonderful, truly outshining her movie counterpart as well, going from a character you hate (in a good way) to being one of the most important persons on our heroine’s journey. Rainwater as the tough and oh so scummy Callahan is great. Watching him, it was obvious he was having a blast playing a creep. Hodges, making her first stage appearance in years, is another standout, stealing every scene she is in, and in her first Civic Theatre role, Anderson nails it as Wyndham.
Some other scene stealers come from our ensemble cast, including Walker Delk, Chris Fisher, and, in the coveted role of the UPS delivery man, Jack Ragland. If none of these three make you laugh, then you need to check your pulse. The rest of the cast (Kelsey McFall, Kennedy Box, Michaela Ellis, Nicole Moore, Rachael Cilliers, Emilie Casper, Ryan Jackson, Cassandra Smith, Amanda Kattengell, Savannah Williams, Anna Cox, DeAnna Hargrove, and Allison Cambre) were all great and I wish I could pay each and every one of you an individual compliment, but this review would go on forever. I do, however, also have to give Coby Archa a shout out, who has a brief cameo during “Bend and Snap,” and it’s great to see him on stage outside of “The Rocky Horror Picture Show.”
“Legally Blonde” is a fun, truly hilarious show that makes for a great date night, girls night or just regular night out at the theater.
Review: The Touch
By John Baggett
Tyler Civic Theatre is kicking off its 70th season. To start the brand new season, they begin with a very special one week run of the new play, the heartwarming drama, “The Touch.”
Set in East Texas, generations ago, the story revolves around Big Granny (Traci Smith), a woman who has the ability to heal those with just her touch, a power passed down in her family every other generation. While her grandmother healed almost everyone she could, Big Granny is afraid of her powers. She is haunted by the loss of her daughter to pneumonia, whom she could have healed but was afraid that her attempt would have killed her.
Now, a great grandmother, Big Granny lives with her granddaughter Faye (Brianna Beard) and great-granddaughter Juney (Delaney Mullee). Faye stayed home to raise her daughter and help out while her husband left to work on the docks and her sister, Betsy (Kaylee Parker), travels the world. Betsy returns with news that she has a permanent teaching position in Dallas. Her return stirs up feelings of hurt in Faye, but when Juney gets hurt in an accident, everyone, including Big Granny, must face their worse fears to be a whole family again.
“The Touch” was written by Mike Hargrove, a veteran of Tyler Civic Theatre, having written a dozen plays and directed several shows. This is his final work, completed just days before he sadly passed away. This debut production is directed by his wife, DeAnna Hargrove, who also directed “I Never Saw Another Butterfly” earlier this year.
This is a play that was written with love, as much of it was inspired by Hargrove’s family, and beautifully produced. So much heart and soul into this show, from writing to casting to every single performance. It is truly a labor of love.
This cast is superb. Smith, who is always excellent in every role, has never been better. She delivers such a warm, yet powerful performance, and gives her absolute all on stage. Beard is also outstanding, running almost the entire span of human emotion. Mullee continues her streak of wonderful performances and this also is a career best for her. She has talent beyond her years. Parker is also amazing, delivering an almost effortless, natural performance.
The supporting cast is brilliant as well. Cheyenne Whorton plays Sonny, a man who was healed as a child by Big Granny’s mother, and he gave a flawless performance. Kenneth Reid plays Monroe, the patriarch of the Marner family, and is terrific in his few scenes. Stan King gives as another first-rate performance as the doubting Doc Fleming, who believes there is a scientific reason for everything.
Making their TCT debuts are Austin Sandy and Maria de la Garza-Grahm, M.D, as the shopkeepers of a local market and I hope they continue to grace the stage. Finally, in silent roles as customers are Chylar Whorton, Blair Gonzalez, and Bella Schenck. Every single one of them did a fantastic job and I cannot wait to see what they do next.
“The Touch” starts this new season on an incredible high. It is a touching, funny, emotional experience and I really encourage you to see this show. It’s going to be over before you know it, so go see this wonderful play before it’s too late.
“The Touch” opens on Thursday, September 6 and runs through Sunday, September 9. For more information and to purchase tickets call (903) 592-0561 or go to http://tylercivictheatre.com Tyler Civic Theatre is located at 400 Rose Park Drive.
The 70th Season Begins at Tyler Civic Theatre
Single show tickets are available for $18 for adults and $15 for students. FLEX Pass are available for multiple performances. Tyler Civic Theatre is located at 400 Rose Park Dr., Tyler, next to the Tyler Rose Garden Center. For more info or tickets call (903)592-0561 or go to tylercivictheatre.com. The 2018-2019 productions are:
October 5th-14th (Thursday-Saturday at 7:30pm, Sunday at 2:30pm): “Dial M for Murder” – Tony Wendice has married his wife, Margot, for her money and now plans to murder her for the same reason. He arranges the perfect murder. He blackmails a scoundrel he used to know into strangling her for a fee of one thousand pounds, and arranges a brilliant alibi for himself. Unfortunately…the murderer gets murdered and the victim survives. But this doesn’t baffle the husband: He sees his hireling’s death as an opportunity to have his wife convicted for the murder of the man who tried to murder her, and that is what almost happens. Luckily, the police inspector from Scotland Yard and a young man who is in love with the wife discover the truth, and in a scene of almost unbearable suspense they trap the husband into revealing his guilt, thus freeing Margot.
November 6th-7th (school shows) and November 8th-11th (Thursday-Saturday at 7:30pm, Sunday at 2:30pm): “Snow White & the Seven Dwarfs” – The classic children’s tale of Snow White, seven dwarfs, a magic mirror and an evil queen comes to Tyler Civic! Supposedly disposed of by the wicked queen, Snow White finds her way to a happy glen and the home of seven friendly dwarfs. A deadly apple casts her into a deep sleep, from which she is revived in time by her devoted prince.
January 13th-14th (school shows) and January 15th-20th (Thursday-Saturday at 7:30pm, Sunday at 2:30pm): “The Taming of the Shrew (Condensed)” – This season TCT performs a hilarious, but seriously abridged version of Shakespeare’s classic “The Taming of the Shrew.” The 45-minute play preserved the original language along with all the major plot turns, but condensed it down to a one-act play and is a perfect introduction to the Bard for participant and audience member alike.
February 8th-17th (Thursday-Saturday at 7:30pm, Sunday at 2:30pm): “On Golden Pond” – This is the love story of Ethel and Norman Thayer, who are returning to their summer home on Golden Pond for the 48th year. He is a retired professor, nearing 80, with heart palpitations and a failing memory but still as tart-tongued, observant, and eager for life as ever. Ethel, ten years younger, and the perfect foil for Norman, delights in all the small things that have enriched and continue to enrich their long life together. They are visited by their divorced, middle-aged daughter and her dentist fiancé, who then go off to Europe, leaving his teenage son behind for the summer. The boy quickly becomes the “grandchild” the elderly couple have longed for, and as Norman revels in taking his ward fishing and thrusting good books at him, he also learns some lessons about modern teenage awareness – and slang – in return. Date Night for Valentine’s Day will be February 14th with a Dessert Theatre. Tickets are $24 for adults, $20 for students.
March 8th-17th (Thursday-Saturday at 7:30pm, Sunday at 2:30pm): “Bus Stop” – In the middle of a howling snowstorm, a bus out of Kansas City pulls up at a cheerful roadside diner. All roads are blocked, and four or five weary travelers are going to have to hole up until morning. Cherie, a nightclub chanteuse in a sparkling gown and a seedy fur-trimmed jacket, is the passenger with most to worry about. She’s been pursued, made love to and finally kidnapped by a twenty-one-year-old cowboy with a ranch of his own and the romantic methods of an unusually headstrong bull. The belligerent cowhand is right behind her, ready to sling her over his shoulder and carry her, alive and kicking, all the way to Montana. Even as she’s ducking out from under his clumsy but confident embraces, and screeching at him fiercely to shut him up, she pauses to furrow her forehead and muse, “Somehow deep inside of me I got a funny feeling I’m gonna end up in Montana …” As a counterpoint to the main romance, the proprietor of the cafe and the bus driver at last find time to develop a friendship of their own; a middle-age scholar comes to terms with himself; and a young girl who works in the cafe also gets her first taste of romance.
April 11th-14th (Thursday-Saturday at 7:30pm, Sunday at 2:30pm): “The Complete Works of Shakespeare – Abridged” – Come see all 37 Shakespeare plays performed in 97 minutes! Three madcap men in tights weave their wicked way through all of Shakespeare’s comedies, histories, and tragedies in one wild ride that will leave you breathless and helpless with laughter. An irreverent, fast-paced romp through the Bard’s plays, “The Complete Works of Shakespeare – Abridged” was London’s longest-running comedy.
May 10th-19th (Thursday-Saturday at 7:30pm, Sunday at 2:30pm): “Groucho Marx, A Life in Revue” is a stage play written by Groucho Marx’s son Arthur Marx and Robert Fisher with musical direction by Jim Grady. It is a look at the life and career of the famous entertainer Groucho Marx of the Marx Brothers and “You Bet Your Life” fame. It opened off-Broadway at the Lucille Lortel Theatre on October 8, 1986 and played 254 performances closing on May 3, 1987. This inspired bio musical about “The One and Only” begins with Groucho as an old man doing his famous Carnegie Hall show. It then goes back to the beginnings of the Marx Brothers and their struggles to make it in vaudeville, their rise to stardom and their eventual break up. All classic Groucho songs are included. One actor plays Groucho, another plays Chico and Harpo, and one actress plays all the wives, girlfriends and Margaret Dumont. A hit in New York, across the U.S. and in London, this show will delight Marx Brothers fans and the as yet uninitiated. The performance on Sunday, May 12th (Mother’s Day) has an optional pre-show brunch. Tickets are $34 for adults, $30 for students. Also, a dinner-theatre opportunity will be available for Thursday May 16th performance.
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