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On Exhibit at Tyler Museum of Art: “Passing Through” & Books”

The Tyler Museum of Art (TMA) is located at 1300 S. Mahon Ave. on the Tyler Junior College main campus. Regular TMA hours are 10am-5pm Tuesday-Saturday, and 1-5pm Sunday. The Museum is closed Mondays. For more info call the museum at (903)595-1001, tylermuseum.org, or email info@tylermuseum.org.

“Passing Through” on Exhibit

“Passing Through: Works by Lloyd Brown, Pat Gabriel, and Sarah Williams” is organized by the Tyler Museum of Art. As the title suggests, the featured works explore scenes from the American landscape one might encounter while “passing through” a town or area. Despite the similar subjects, each individual artist has captured these overlooked spaces in their own unique way – elevating the mundane and making the ordinary extraordinary.

Support for “Passing Through” is provided by Collectors’ Circle Gold Sponsor Julietta Jarvis Foundation, Inc., with special thanks to Valley House Gallery, Artspace 111 and Foltz Fine Art, Talley Dunn Gallery, and Moody Gallery.

This will be on exhibit through December 1st.

“Books, Books & More Books: Works by MANUAL”

The Tyler Museum of Art is embarking on another historic collaboration with a fellow Smith County nonprofit while exploring the printed word as a work of art in its next major exhibition, “Books, Books & More Books: Works by MANUAL,” presented in collaboration with Literacy Council of Tyler. The exhibition runs through November 10th in the Museum’s Bell Gallery.

Organized by the TMA and curated by Caleb Bell, “Books, Books & More Books” spotlights a series of photographic works from the ongoing “Book Project by MANUAL,” the artistic collaboration of Suzanne Bloom and Ed Hill that began in 1974. The photographs from this series spotlight a wide variety of books in dynamic compositions, “visually exploring their importance in our lives,” Caleb Bell said.

Though created within the classic genre of still life, the artistic duo sees its work in the “Book Project” more as “staging discrete dramas on a very small stage,” they wrote. “What we may be doing in this extended project is just a different form of ‘romance’ with the book than is reading and researching.”

The idea of an exhibition celebrating the physical, bound book as a work of art in and of itself – and as a gateway to the imagination – attracted not only the TMA staff but the LCOT leadership as well, and seemed a natural fit for the occasion of two organizations that share complementary educational missions to collaborate for the first time.

“Many of our students, like others in Tyler, have never had the chance to interact with visual art in a museum setting, and to be able to introduce them to this world through the medium of books is a uniquely approachable and relatable opportunity,” said LCOT Executive Director Nancy Crawford. “I think this exhibition reveals the true nature of books as works of art, from the standpoint of the content inside, the cover art, and even the tactile experience of holding a book and turning its pages. We think the exhibition will show our students that reading is truly an artful experience that they can begin to enjoy and appreciate on so many new levels as they pursue their educations at Literacy Council of Tyler.”

Support for “Books, Books & More Books” is provided by Collectors’ Circle-Platinum Sponsor The Byars Foundation and Media Sponsor Tyler Today Magazine, with special thanks to Moody Gallery, Houston.

Special Days & Tours

Special events in connection with current exhibitions include a free First Friday tour. The first Friday of each month, 11am-12:30pm, the TMA offers a full day of free admission plus guided tours of its spotlight exhibitions. 

Family Days will be from 2-4pm the second Saturday of each month. Free admission, interactive art projects, light snacks, and a festive atmosphere for all ages are on the menu for the second Saturday of each month with the Tyler Museum of Art’s Family Day. 

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Art

Michael Brundidge: Inside the Artist’s Studio

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Some People Call Me the Space Cowboy

By Derrick White

“You are free to do what you want! So go out and get it,” exclaims local artist Michael Brundidge. Michael is a cheerful, energetic, friendly, and laid back personality you are more than likely to encounter during your next visit to True Vine Brewing Company, where he works. His artwork may also be seen there, perhaps being displayed in a one-night, pop-up art exhibition or permanently installed in spots around the brewery. Michael’s art is primarily collages. This is something I personally value because about half of my own artwork is in the medium of collage and I appreciate it when I see it and when I see it done well.

The word collage comes from a French word meaning “to glue” and it is a prevalent and accessible visual art technique, where the composition is created from grouping different colors, forms, and images and creating a new, and sometimes very different, whole. Collages may include drawings and sketches, magazine and newspaper clippings, ribbon, paint, handmade papers, text lettering or phrases, photographs, prints, and other found objects selected and attached to paper, canvas, wood panels, or other supports. The ancestry of the process of collage dates back hundreds of years. 

Brundidge explains, “My main focus in style lately is mixed media collage artwork. Outer space has been the most prevalent theme and inspiration in my current series “Space Is The Place.” I like to mingle Pop Art, Surrealism, and a splash of Neo-Dadaism (an absurdist combination of daily life and art using playfulness, iconoclasm, and appropriation).” He goes on to add, “I use plywood as my canvases (or supports) and acrylic paint for the backgrounds. I love how the acrylic soaks into the plywood. I think the textures really visually pop creating a combination matte and glossy finish to my backgrounds. I use clippings and cutouts of various images found in old magazines from the 1940’s, 1950’s, and 1960’s. I really enjoy the textures and color palettes used in those decades. I juxtapose images of people, places, and things I find interesting onto my painted backgrounds. I like to call it manual Photoshop. The images most often reoccurring throughout my pieces are large ominous hands, planets, women, and astronauts.” After Michael creates his collages he then finishes them by creating a custom frame for each individual piece using weathered or repurposed wood, which adds to the charm and content of the work.

Other than elementary school art classes, Michael Brundidge does not have any formal training in visual art. He is a self-taught artist, sometimes referred to as an outsider or folk artist for the unique qualities of style and practice. When making art to make art, there is no critique deadline and no teacher to please. This is one of the open-ended concepts I love about creating art: the fact you can just decide to do it. If you feel inspired to start making, sharing, and selling art, you can put a sign in your yard today and become just as much of an artist as anyone else. No degree or certification, training, or experience required. This does not mean you will automatically have any success, be any good, or make anything interesting, but you might. You get to express yourself and your unique human experience to the rest of us however you feel compelled to do so. This concept applies to everyone, of any age, of any skill set, and by any means. You cannot do this with most other occupations. You cannot decide to randomly put a sign in your yard and start practicing dentistry, for example. Or as Michael Brundidge puts it, “You are free to do what you want! So go out and get it.”

What inspired Michael down the path of pursuing art was, as he states, “Honestly, it was loneliness and alienation. I know it sounds dismal and depressing but I was truly hard-pressed to do something. I did not feel as though I had much of an identity. Making art brought back vitality, confidence, and purpose in my life.” Adding, “It has developed my trait of persistence. Art has given me the will to continue on despite ridicule, hang-ups, and depravity.” What Michael finds frustrating about being an artist is, in his words, “Exclusivity and competition. I disagree and do not participate in any art based competitions. Art is extremely subjective. Critics and the upper crust held in high regard can make or break an artist. Anyone can make art. I dare and laud them to do so. I truly believe art is a party and everyone is invited.  Make art to make art. Elitism is too common in the art world. The idea that money talks and has unquestionable influence in the art world is a fallacy. Every artist matters and all content must be considered.” So everyone could, and I believe should make art. The process is emotionally healing and therapeutic. It doesn’t matter if you are interested in playing the game of the big money buying and selling art world, which is an economy just like every other commodity-driven economy in the world. Make art by you for you, and let the rest fall where it may whether you are a joker, a lover, or a sinner.

Speaking of jokers, Michael finds inspiration in the works of artist Ray Johnson, who was primarily a collage and correspondence artist. He was described as New York’s most famous unknown artist. Michael exclaims, “He was relentless and continuously persistent in his artwork. He was a recluse staying vigilant and persistent in his process. His media ebbed and flowed at his inclination. Johnson was a prankster in expectation. His content was his own and he did not sway his ideology and process. He even determined and called the shots when it came time for him to leave this world.” On January 13, 1995, Ray Johnson dove off a bridge and then backstroked out to sea in an apparent suicide or perhaps final performance art piece. Strange aspects of Johnson’s death involved the number 13 (date; his age, 67 (6+7=13); his motel room number 247 (2+4+7=13) … and the number of letters in “Me Space Cowboy”). Learn more about Johnson in the documentary film “How to Draw a Bunny.” Learn more about Brundidge by going to True Vine and having a beer.

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Art

For the Love of Art: Art Events, Classes & Exhibits

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Discover your inner artist by taking a fun class ! These are for all ages and all experience levels!

For more events, check out EGuideMagazine.com ‘s entire

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Art

Lauren Pitre: Inside the Artists Studio

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Painting the Town: Lauren Pitre

Derrick White

“I can say without a doubt art has brought me confidence. I always struggled with confidence growing up but it seems after each milestone I pass within my art career I gain more confidence, in particular with my murals,” affirms local artist Lauren Pitre. You may have experienced Lauren’s work even if you were not aware of it at the time. If you’ve been to the Longview Mall, downtown Mineola, The Discovery Science Place in Tyler, or the Lindale Candy Company, you probably noticed her dynamic and engaging murals. Lauren received her Associate’s degree in Art from Tyler Junior College and received a Bachelor’s degree in Fine Art from the University of Texas at Tyler, focusing on painting. She prolifically creates beautiful and enchanting still lifes of antiquated objects but during her time at UT Tyler she gained experience in painting murals. Now murals and commissioned portraits are Lauren’s full-time job.

“The Importance of Community Murals” is an online article from the website productcare.org stating, “From the 30,000-year-old animal murals in France’s Chauvet-Pont-d’Arc Cave to Banksy’s Balloon Girl, murals have been part of our cultural landscape for thousands of years. Community murals are a mode of expression for artists in every graphic style imaginable: abstract, photorealistic, surrealist, expressionist and graffiti, to name just a few. Most recently, murals have become community centerpieces bringing people together to celebrate the heritage and history of their home. They create vibrant neighborhoods people want to visit and live. Murals attract new local businesses, help bring customers to pre-existing locations, and boost the economy of an area. Murals encourage people to slow down and admire your surroundings. Part of slow living involves appreciating our surroundings and their beauty. Murals create important conversations and expand thought. They also act as collective thought spaces. A great example of a dialogue-provoking mural project is American artist Wyland’s Whaling Walls. Over a 30 year period, Wyland painted 100 life-sized whale murals across the globe to help people appreciate our oceans through art.”

Lauren has an excellent painting skill set, creating works quite capable of attracting and holding the viewer’s attention while provoking conversation and thought in her murals as well as her fine art. “My vintage still lifes are mostly painted on wood panels with acrylic paint. I use wood panels so I can get more layers and am able to lightly sand between coats to get a smooth surface I like. Acrylic paint works best with the wood. It dries quick enough to get more layers of detail,” Lauren describes. She adds, “The style of my pieces is realistic with an exaggerated use of color as well as the background behind the objects. Typical objects I choose to depict are old cameras, clocks, books, and radios. As far as commissioned portraits and murals I tend to stick to realism as well, depending on what the subject matter is, along with the look and design of the surrounding area I will use a specific color palette directed towards a particular style.” 

Lauren grew up always drawing people and facial portraits. After she graduated high school she began working at a local Goodwill store. It is there her fascination with distinctive items began to take hold. Lauren explains, “I enjoyed seeing different objects from different decades, mostly old cameras and clocks. One of the Goodwill tasks specific to me was creating displays for end-caps, toppers, and windows and I usually ended up using the older items, to give them a new life. I decided to collect these vintage items and make still lifes of them and paint them. Another one of my jobs was to paint the outside of the windows for holidays and special sales, the more I did them the more elaborate they became. It was then I felt this was where my path as an artist was truly starting.”

Lauren took a mural painting class at UT Tyler with Professor Alexis Serio Hughes: “We planned out and painted one of the exterior walls of the Discovery Science Place in Tyler over the span of one semester. After that semester I was hooked. I spent a later semester working on a mural there at UT Tyler in the Biology building. I was able to come up with a design, color palette, and work schedule, as well as assigning tasks to the three of us working on the mural,” she states. 

After graduating, Lauren was able to start her first large commissioned mural downtown in her own hometown of Mineola. Soon after she completed the mural in Mineola, she was commissioned for multiple murals in towns around East Texas. “As an introverted person, I never really saw myself branching out and doing large projects like city murals, but art has given me the confidence to do things like that. Although art has given me the confidence to branch out and do large projects around our region, it brings problems along with it, like talking to people, in particular groups of people. I can say the path to get my degree in art helped me tremendously in preparing to speak in front of people but I have noticed, as an introvert, it takes a while to get over. However, after speaking in front of crowds a few times I have come to see it gets a little easier each time,” describes Lauren.

Lauren finds inspiration in the work of other artists like Christopher Stott (contemporary still life painter). She states, “He uses a lot of vintage objects in his work and highlights all the formal qualities of the objects I find most interesting, like contrasts in surface texture in vintage cameras and the shadows they produce. He adds non-vintage objects like wooden chairs and pencils in his pieces, which add another element of contrast.” Lauren concludes, “I also have a favorite muralist, Anat Ronen, who does a lot of work throughout the Texas area and surrounding states. She is a massive inspiration to my mural work; keeping up with her and her work pushes me to keep expanding my work throughout East Texas.” 

For more information and to see examples of her work on Instagram, check out: @artbylaurenpitre

 

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