Connect with us

Bands

Sticking To His Roots:  Wade Skinner

ben wheeler

By Johnny Griffith

Country music has become a quickly evolving genre tree that has a lot more branches on it these days than it did just 20 years ago. Mainstream Country has become designed to appeal to a broader audience and capture more downloads or streams, often sacrificing substance along the way in an effort to capture that commercial appeal, losing sight of its “three chords and the truth” roots. Fortunately, here in East Texas, the roots of Country music are alive and in good hands with many local musicians who have their roots planted deep in the local soil. One of those musicians maintaining that connection is Longview singer/songwriter Wade Skinner.

With a musical background grounded in the bluegrass, gospel, and classic country music played by his family as a child, Skinner pours his heart and soul into the music he creates. His creative process is informed and shaped additionally by a period of service in the military and a love of poetry, which also led him to a career as a collegiate English teacher. I got a chance to visit with the modern day Renaissance man recently to find out more about his roots and his music.

Johnny: When did you first become interested in music?

Wade: I have been interested in music as long as I can remember and apparently even before that. My parents have pictures of me from when I was just old enough to walk carrying around a toy guitar. They tell me that I could sing almost every word of Gene Watson’s “Fourteen Carat Mind” when I was three so I definitely think there is some genetics involved in my love for music. Of course, nature can only take you so far and my interest was definitely nurtured by the musical environment I grew up in. Impromptu jam sessions were a part of every family gathering on my dad’s side. My grandfather on his side loved music, so he made sure that everyone who was able to brought an instrument to play anytime the Skinners got together. The music was mostly country and bluegrass; I fell in love with the lonesome and happy acoustic sounds of a mandolin, fiddle, banjo, standup-bass, dobro, and guitar as a child. Looking back, I think about how lucky I was to be exposed to such a rich musical environment. My dad fostered that love by taking us to bluegrass festivals as kids, teaching us how to play guitar, and encouraging us to play and sing at family gatherings. 

Johnny: What was the one thing in music that grabbed you early and wouldn’t let go? 

Wade: I think it was harmonies of the voices and instruments melding together. From the time when I was a little boy, I just couldn’t get enough of that. I think this is why I gravitated towards bluegrass. Bluegrass, probably more than any other genre of music, knows harmonies. This is probably also why I loved groups like the Beach Boys and the Eagles so much. 

Johnny: What were some of your early musical influences? 

Wade: My musical influences are all over the map. I love and appreciate all genres of music; I listen to everything from Vivaldi to Robert Johnson to Jimi Hendrix to Hank Williams Jr. Most of the music that I listened to growing up was on tape or record. CD’s didn’t really hit the market until I was in my teens so when I was a boy, the tapes that I wore out were by the Stanley Brothers, the Beach Boys, Creedence Clearwater Revival, The Eagles, George Strait, and Chuck Berry. When I went to my grandfather’s house, he played records by Marty Robbins, Hank Williams, Ernest Tubb, the Stanley Brothers, Bill Monroe and other classic country singers. My dad and my Uncle Alvin played a lot of country music from the 50’s, 60’s and 70’s when the family got together which meant I heard plenty of Merle Haggard, Johnny Cash, Willie Nelson, Waylon Jennings, and others from that era. I was a teenager in the 90’s and I loved the 90’s grunge scene: Alice ‘n Chains, Stone Temple Pilots, Soundgarden, Pearl Jam, and Nirvana. Sometimes I like to surprise people at shows by playing a bunch of old country songs and then hit them with an Alice n’ Chains song or a something by Seven Mary Three. 

Johnny: When did you start writing music? 

Wade: I started writing music in my teens but it was just terrible. I just didn’t have the well of experience to draw from back then like I do today, so I tried to write songs that were “deep,” and they ended up being incomprehensible and just plain bad. 

Johnny: When did you figure out this music life was for you? 

Wade: I don’t know if there was one moment or a series of moments in my life that led me to figure out that music was for me, but I do know that it has been there all along and I cannot imagine my life without music. I feel like my soul was hard-wired for music but I’m not really an entertainer, like some folks in this business. They love the stage and they love to be the center of attention, taking lots of selfies and videos; always on social media. I’m not trying to put anyone down who does that. It’s just not my personality. I’m not, nor have I ever been, a flashy person. If I had a choice, I would rather not be on social media. I perform shows for one primary reason: so that people can hear me perform songs I have written. 

Johnny: What’s the current lineup of the Wade Skinner Band?

Wade: At the moment, the band consists of four people that play with me consistently for full band shows: Ronnie Godfrey plays drums, Chase Barrett plays bass, guitar, mandolin, Chuck Spears plays steel guitar and electric guitar, and Nina Gonzalez plays bass from time to time. I’ve tried more complicated band setups, but I find that a four piece band works very well for what we are doing. I’ve been very lucky to play with some amazing musicians who know how to make the songs I write sound good. 

Johnny: About how many shows a month are you playing these days? 

Wade: It depends on the month, but in 2019, we have averaged about one show a week, so about four shows a month. 2020 is looking to shape up about the same or more. Since I’ve hired a booking agent, I’ve been able to book a lot more shows than in the past when I was doing it all myself. 

Johnny: How much of your set list is original versus cover? What is the favorite cover you do? 

Wade: It depends on the show, but I would say that the set lists at honky tonks with the full band tend to be more covers because the shows are longer. Most of the time we try to play about half of the show as covers and half with originals. I’m not a karaoke singer and the Wade Skinner Band is not a cover band. There are some professional singers out there who just sing songs other people write and there are some great cover bands out there. I’m not knocking those folks and I respect what they do but frankly, I don’t know how they do that all the time. What motivates me to keep pursuing music is creating and performing original music. Once I figured out that I could write and perform my own original music, and people were enjoying the songs I had written as much as the ones I hadn’t, I think that was when I knew I would be doing this for a long time. 

Johnny: How would you describe your original music stylistically?

Wade: I suppose I would call it roots country. I’m not up on all the hip terminology people use to describe different genres of music these days, and I’m certainly no musicologist. Some of the songs I write sound like what people call classic or traditional country: George Jones, Merle Haggard, Waylon Jennings, etc. but just as many don’t. Whatever style you would call it, I want my music to transform people’s souls for the better. We try to stay away from the clap-track/snap-track driven mainstream stuff people hear on your average modern country radio station that I call “canned country.” I don’t use pre-made lyrics or canned chord progressions for my songs. I just don’t find the kind of stuff that passes for music on mainstream country radio stations very meaningful; unfortunately, they tend to recycle tired phrases like “red dirt,” “solo cup,” “mason jar,” “pickup truck,” “girl in tight shorts,” etc. and rework them into predictable chord progressions. I just don’t listen to that kind of music, and the people who enjoy my music don’t tend to either. Thank God for people like Tyler Childers, Tennessee Jet, Cody Jinks, Sunny Sweeney, Ward Davis, and Sturgill Simpson who are recovering the roots of country music without slavishly copying one person. I’ll throw my hat in the ring with those folks any day.

Johnny: What has been your best memory so far in your musical journey? 

Wade: I think it would have to be the Downtown Live Show in Longview we played a few weeks ago on October 4th. The weather was beautiful and it was an outdoor stage, so we had quite a few folks that came out to see the show. One of my favorite local singer/songwriters, Heather Little, opened the show for us; then we took the stage and played for two hours straight in front of a large audience of people from my hometown. Fifteen of the twenty-five songs we played that night were originals. We got great feedback from the audience and the event organizer, and the band had a great time. It was a family-friendly atmosphere with lots of kids and families running around in front of the stage with shaped balloons on their heads and riding scooters. My wife captured a picture of me talking to my daughter at the foot of the stage that I will cherish forever from that night. That was also one of the first nights that I was able to thank my wife, Kylene, publicly for all that she has done for our family and to encourage my music career. Unfortunately, my wife does not get to come to as many shows as she would like because she is at home with our daughter. Looking down from the stage and watching her as the band played all these songs that she had only heard me play in our living room made for a fantastic night for me. Altogether, it was a great evening because it was one of the first shows we have played where the majority of the songs on the set list were originals. I had someone come up to me after the show was over and tell me how far I’d come since she last saw me perform a few years back. That meant a lot to me. If there is anything that I strive to do, it is to make every show a little bit better than the last one. I also want every song to be a little bit better than the previous one. 

Johnny: Where can people find you performing over the next couple of months? 

Wade: We have a busy couple of months lined up, thanks to my booking agent Sheryl Oney. I think we have about twelve shows before the end of the year. I’ll be opening for Zane Williams at a Benefit for Camp Gilmont on November 2 in Longview but we have shows in Dallas, Fort Worth, Tyler, Longview, Natchitoches, Shreveport, Paris, Jefferson, Bossier City, and Gladewater on the books before the end of the year. I encourage people to follow me on social media to find out about future shows and to check out our website calendar: http://www.wadeskinner.com/gig/.

Johnny: What is on your radar for the rest of 2019 and into 2020 that has you excited? 

Wade: I am definitely excited about recording my first full album. We have already started that project with the recording of my single “Highway Going Down” earlier this year; I received such good feedback from that song that we have decided to add that song along with nine more originals to our full album. We hope to finish that project early in 2020 in time to promote it for our summer 2020, multi-state tour. 

Follow Wade Skinner at wadeskinner.com and facebook.com/wadeskinnermusic/.

stanleys bbq tyler tx eguide magazine

Bands

Rescheduled: Oct. 20th, 2020 Red Dirt BBQ & Music Festival

liberty_hall_tyler_texas_tx

The 2020 Red Dirt BBQ & Music Festival Returns to Downtown Tyler

The new date has been set for Sunday, October 11th. It will be the same setup as normal, just on a Sunday:  https://facebook.com/events/s/2020-red-dirt-bbq-music-festiv/1332463773558598/?ti=icl

May 2nd October 11th, the 7th annual Red Dirt BBQ & Music Festival presented by Hyundai of Longview will be held in Downtown Tyler, and with it comes the best of barbecue in Texas and top of the line music all day. 

The Red Dirt BBQ & Music Festival has proven to be one of the most premier and unique music and food experiences in Texas. The festival takes place on the brick streets of the Downtown Square in Tyler every May, with the 2020 edition featuring at least 30 of the most celebrated barbecue restaurants in Texas. Music happens for nearly 12 hours on two stages, with the main stage highlighting the biggest names in Texas and Red Dirt Music. 

This year’s festival will also feature the state’s most celebrated barbecue restaurants providing samples of their smoked meats to attendees. Barbecue joints from as close as Tyler and as far as Amarillo converge on the Rose City to showcase their smoked meats to thousands of barbecue enthusiasts, while thousands more pour onto the brick streets for the concert. 

Performances this year feature Parker McCollum (10pm), Josh Abbott Band (8:15pm), Jason Boland & The Stragglers (6:45pm), Charley Crockett (5:15pm), and Chris Colston (3:45pm).

“Top to bottom, I don’t think there’s ever been a Red Dirt lineup we’ve been more excited about. Having these names join our incredible barbecue joints was a huge honor for our sixth festival,” Red Dirt promoter Chase Colston said. “We’re expecting an even faster sellout this year and can’t wait to get back on the brick streets for another great Red Dirt BBQ & Music Festival.” 

The festival is sold out. Watch reddirtbbqfest.com in case any more tickets are released.

The Red Dirt BBQ & Music Festival is presented by 101.5 KNUE, East Texas’ No. 1 country music station, “Radio Texas, LIVE! With Buddy Logan,” and Hyundai of Longview.

Continue Reading

Bands

Dagnabbit: Get Your Good Times On!

blue-coral-pools-tyler-tx-728x90

dagnabbit-10By Reid Kerr

“He played, Fire on the mountain, run boys run”

The fiddle jumps in the musician’s hands as he wades into the crowd while playing the familiar strains of arguably Charlie Daniels’ best known hit.

“The Devil’s in the house of the rising sun!”

To the delight of onlookers, the fiddle player climbs up on the nearest table as he keeps playing while the rest of the band sings.

“Chicken in a bread pan pickin’ out dough!”

The crowd cheers him on as he balances precariously on the less-than-sturdy-table.

“Granny will your dog bite? No, child, no!”

As the band finishes the song, fiddle player still perched atop the wobbly table, the crowd erupts in applause, simultaneously appreciative of the performance and the fact that the fiddle player didn’t crash into their dinner. That fiddle player is Ryan Pierce, the band is Dagnabbit, and the crowd this time is the Pilots & Sponsors Party at the Great Texas Balloon Race.

dagnabbit-13Dagnabbit has been helping people satisfy their fix for live music since 2006. Originally started by Pierce, Ricochet bassist Greg Cook, and local drumming mainstay Terry Salyer, the musically-diverse collective has had various members since it’s inception, but the core line-up for the past few years has been Ryan Pierce on vocals/fiddle/guitar, Chuck Dowden on guitar/vocals, Tim Smith on bass guitars, Johnny Griffith on keyboards/vocals, and Joe Rodriguez on sound. The drummer on this particular night was Marcus Jones, a newcomer to the group with only a couple of shows with the band under his belt.

To describe the Dagnabbit band musically would be a challenge, as they will tackle just about anything, across any genre, in order to entertain at the particular event they’re playing. They play weddings, fundraisers, private parties, as well as local venues like Leon’s Steakhouse and Saloon in Longview or the Back Porch in Kilgore. If you had to pin them down to a summary description, they’d be a party band that specializes in good times wherever they go. Just as comfortable tackling Charlie Daniels as they are taking on Jason Aldean. Equally as proficient with such funk classics “Play That Funky Music” as they are with R&B hits “Purple Rain” and “Easy Like Sunday Morning.” As likely to play Garth Brooks as they are the Rolling Stones or Elton John, Dagnabbit setlists are designed to move with the mood of the crowd and play toward how they respond. Sound engineer Joe Rodriguez says, “The vibe that the guys have on stage is a feeling that anything is possible at any time, so you don’t know what might happen next. It certainly keeps me on my toes at the sound board.”
dagnabbit-8

The ability to be such chameleons on stage is a byproduct of a talented lineup of musicians, each one accomplished and seasoned on their respective instruments from years of playing in local, regional, or national acts. Pierce, 40, who pulls the majority of the typical “front man” duties has played with such National Acts as Neal McCoy and The Oak Ridge Boys. In addition, he was the house band leader for the Reo Palm Isle, at one point performing with Miranda Lambert early in her career. Ryan started playing music seriously around the age of 18 and studied music in college before starting to play in bands. Bassist Tim Smith started playing at age 11 in church and has played with regional acts such as Mark Cooke, Waylon Pierce, and various other bands. Joe Rodriguez, 47, started playing guitar around 14, mixing audio around the age of 25, and has gigged with several bands and churches in the area. Johnny Griffith, 42, began studying classical piano at the age of 5 and continued into college, performing in churches and by 13 was playing in local restaurants and open jam nights. Chuck Dowden, 54, began guitar at 8 and started playing in bands in his 20’s and has recently taken up steel guitar. Marcus Jones started drumming around the age of 10, having played in churches and bands in the Austin area before moving to East Texas in 2012.

Despite their cumulative experience, or perhaps in large part due to their time in other bands, Dagnabbit has a decidedly casual feel on stage. It’s obvious as one watches the band interact with each other and the crowd, they’re having as much fun, if not more, than the people watching them. While they are one of the more polished bands you’ll find in the area, they embrace the inevitable curve ball and mistake, laughing them off and many times working it into the bit in a way that makes you wonder if it was even planned that way. “It’s pretty obvious if a band isn’t having fun with what they’re doing when on stage, and the crowd responds accordingly,” Pierce says. “If a band has tension, or just views it as another gig, then it’s hard to draw the crowd into what you’re doing. We look at it as getting to hang out with five of your good friends and make music while joking around and making a hundred or so new friends over the course of the night.”

dagnabbit-7An evening with Dagnabbit also comes with a few audience perks along the way, other than just getting to hear a quality band with a diverse catalog. It’s common for Pierce to prompt the audience for requests, and equally as likely a person gets invited on stage to help sing or play an instrument. Speaking of instruments, one of the regular bits the band does include is getting a volunteer from the audience to become “the newest member of the Dagnabbit band” while playing a cowbell during the funk portion of the set. There routinely are wigs, dance competitions, crowd sing-a-longs, and a long list of guest artists pulled on stage to showcase their own talents with Dagnabbit acting as a backup band.

Despite the band playing between 30 to 40 shows a year, they insist this is just a side hobby as they each have careers outside of music. “We’re not that type of band, trying to be something bigger than what we are right now,” band patriarch Chuck Dowden explains. “We don’t need to play somewhere every weekend to make a living, and I think that reduces the stress level quite a bit that comes along with trying to gain exposure for a larger platform. It allows us to relax and just play the gig in front of us at the moment.” Dowden, originally from Henderson, moved to Longview in 1981 and started Dowden Supply Company in 1983, opening a Tyler location in the mid-1990’s. Pierce started Alpha Construction in Longview in 2001 and Blackwater Oilfield Services in 2014, while Tim Smith owns TS Construction out of Liberty City. Rodriguez has worked for Mundt Music for several years and has done sound engineering for several churches and private events, while Johnny Griffith is Operations/Sales Manager for Tejas Hydraulics in Longview, and newcomer Marcus Jones works for Aramark Services, also out of Longview.

Dagnabbit has been steadily gaining fans and gigs for the past several years as new opportunities present themselves, but according to keyboardist, Johnny Griffith, their biggest fans, as well as toughest critics, continue to be their families. “Everyone in the band has a family, and we wouldn’t be on stage without their support. Family is the most important thing to each of us, but we have been blessed with spouses who understand how important the music is to us also. Somehow they still continue to come out to our shows, even after hearing the same material hundreds of times.” Each member of Dagnabbit is a father and will routinely bring the kids out to family-friendly events, adding to the intimate atmosphere the band has fostered to this point. Griffith says they are perfectly content to play gigs within an hour or so of Longview so that “everyone can sleep in their own bed at night.”

Indeed, a night with the Dagnabbit band is more like a night out with a bunch of your buddies, watching them joke, antagonize, and marvel at each other on stage over the course of the evening. As the night progressed at the Great Texas Balloon Race, at one point Pierce steps up and sings the phrase, “Come on, come on, get your good times on!” while motioning the typically subdued Smith toward a mic. Smith simply grins and declines the invitation, yet once the mic is safely away from him smiles, yelling out, “All I’m saying is a 20 is a 20, player!” – the band laughing as if some inside joke has just been shared between them, and they know the best time to be had that night, was happening on stage.

(In case you are wondering, “20 is a 20” vaguely references a saying that implies “there isn’t much I won’t do for a 20 bill” referring to you’d have to pay for Tim to talk on the mic.)

Dagnabbit can be found at www.facebook.com/dagnabbit.yall. Upcoming Shows:

  • September 9th @ Leon’s Steakhouse, Longview, 8:30pm
  • September 10th @ Leon’s Steakhouse, Longview, 8:30pm
  • September 17th @ The Back Porch, Kilgore, 8pm
  • October 8th @ Get Rowdy Get Loud, Hallsville ISD Education Foundation Fundraiser, Hallsville
  • October 15th @ Dawg Fest Motorcycle Rally, C.A.S.A. benefit, Mt. Pleasant
  • October 21st @ Leon’s Steakhouse, Longview, 8:30pm

Ad Eguide

Continue Reading

Bands

TEAZUR: You Can Still Rock in East Texas!

republic-ice-house-tyler-tx-banner-ad

It’s the weekend.

You want to go out and unwind from the work week.  

You want to hear some live music but want to make sure you have a good time and get your money’s worth in the process.  

And you want a show!

Ladies and gentlemen, I give you TEAZUR.

The brainchild of founding member Mike Reiner, TEAZUR has been a mainstay on East Texas stages for 13 years and are still going strong.  Through several lineup changes and plenty of challenges along the way, TEAZUR has continually supplied people with their fix of good old fashioned Rock and Roll with all the trimmings to go along with it and find audiences still wanting more.  I sat down with current vocalist/keyboardist Tobie Turner this month to get some insight on how they’ve maintained the magic consistently for this long.

 

Johnny: When did TEAZUR first form and what was the original lineup? Who is in the current lineup?

Tobie: TEAZUR was formed in 2006 by drummer Mike Reiner, who is the only remaining original member. The original lineup consisted of Mike Reiner on drums, Jon Morrow on bass, John Bedinghaus on guitar, and Jeff Cross on Lead Vocals.  The 2019 version of TEAZUR is; Founding Member Mike Reiner on drums, Clint McMullen on bass and keyboards, Scott Cothran on guitar, and myself on Lead Vocals and keys

Johnny: Where was the first gig as TEAZUR?

Tobie: TEAZUR’s first show was at Cat’s Place on Hwy 64, east of the loop. I actually had to ask Mikey, because he is the oldest, and only, remaining member that was actually there!

Johnny: How did the name originate?

Tobie: Mike came up with the name and Jon Morrow changed the spelling to what it is today.

Johnny: Did you guys initially decide to focus primarily on 70’s, 80’s, and 90’s rock intentionally or did it just gravitate that way out of what you all preferred to play?

Tobie: We have always wanted to be the band that played music you didn’t hear from every other house band or jukebox when you walked into your favorite watering hole. As much as we love Clapton, Skynyrd, SRV, and Bob Seger, that is pretty much what makes up “The Standards,” that local bands always seem to load their setlists with. People still ask us to play tunes from those artists, but I generally tell them we try to stay away from content that you hear everywhere else. If you’re looking for Freebird or Turn The Page, you’re not gonna find it at a TEAZUR show.

Johnny: What have been some of the consistent challenges you’ve had to deal with as a band over the life of TEAZUR?

Tobie: This is another question that would be better suited for Mike to answer, but I know he’d say that the numerous line-up changes the band has gone through in its 13 year existence, and the constant effort to stay fresh with our setlist are the two biggest ones. There are people that come to see us that rarely miss a show. To keep them coming back, we are constantly updating what we play to be able to bring a mix of the favorite classics, as well some of the more popular dance music.

Johnny: How would you say the band has evolved from a performance standpoint over the years? How about musically?

Tobie: From the beginning, TEAZUR has always wanted to stand out and give the people more than just “something for their ears.” Mike added a full light show, fog and backdrops to the stage set that has been a staple for us over the years. When people walk into a venue where we are set up to play that night, they can’t help but notice the stage. To go along with that, we are all very engaging and try to interact with the crowd throughout the show. A couple of things that we do that are different from any other local band you see is;

We usually only take one break a night. It’s pretty standard practice for a band to play an hour and take a break. I noticed early on in my tenure with the band, that people generally take the second break of the night as their cue to head for the exits. To keep people in the venue, we typically play two extended sets with one break that is a bit longer than you’d normally see a band take. During that break we make ourselves as accessible as possible and visit with as many people as we can. People like the band more when it’s a band of nice guys that are very approachable.

We open every show the way any sporting event or show in the good ole USA should start. (In our humble opinion…) We ask the room to join us in honoring this great nation of ours with the singing of our National Anthem. We feel honored and very blessed to be able to do what we do night after night, and we pay our respects to those that have, and continue to, put themselves in harm’s way so that we have the freedom and liberty to do so. This is probably the one thing that I am proudest of that we do.

The tradition started at a Halloween show we were playing in 2014 at Barefoot Bay Marina just outside of Pittsburg, Tx. We were all dressed in costume, and backstage before the show. The lights were down, and we were about to open the show with the Night Ranger tune, You Can Still Rock In America. We are all wireless, and were geared up and about to take the stage when I told Mike, “We should stay off stage and sing the National Anthem acapella and go right into Rock In America with a bang!” The guys thought it was a great idea, so I start singing the Anthem. I’ve always used wireless in-ear monitors, which really shuts out the ambient noise. I was about halfway through the song when I realized the entire room was singing with me so loudly, I could hear them coming through the open mics on stage. We exploded onto the stage with Rock In America, and the place went nuts. I told Mike during the break that night, that we should start every show with The Anthem from then on. We have, and people remember and comment on that one aspect of the show more than anything else we do.

Johnny: About how many shows a month are you guys doing these day?

Tobie: TEAZUR is booked almost every Saturday night, with just a handful of exceptions, for 2019. We always try to schedule a week off after we make a circuit of the normal venues we frequent, but it doesn’t always work out. Folks usually see the breaks in our schedule and want us to play their private party, or a festival.

Clint and I also have an acoustic side project called BlakboX where he plays guitar, and I play bass. It’s a very laid back gig with he and I on barstools playing a mix of rock, country, Motown, and whatever else strikes our fancy. Every now and then, a venue wants us to play a full “Plugged-In” show, and we’ll add Mike to the mix and play as BlakboX Plugged-In.

It’s NOT a TEAZUR show. LoL We rarely cross over any of the material we do between the two projects.

Johnny: Anything on the radar for 2019 that excites you as a band?

Tobie: We just went through another lineup change at the end of 2018, and brought on my old friend Scott Cothran on guitar. Our previous guitarist was looking for a change, and was very busy in his professional life outside of TEAZUR and decided to move on. I had played with Scott in a start-up band just prior to my joining TEAZUR in 2012. It was a seamless transition, and we are still currently adding to our ever-growing and expanding playlist. We have hinted at possibly doing some writing later this year. Other than that, we look forward to continuing to bring our brand of Rock & Roll party to the masses in East Texas, and the surrounding region.

Johnny: How much original stuff creeps into the set list?

Tobie: We’re not ashamed to say that we are primarily a cover band. People typically go see live bands to hear them play their favorite tunes. We know where our bread is buttered. The previous 2 lineups of the band had a string of originals. Just before I joined the band in 2012, TEAZUR recorded a full album, and after I had been in the band for a little over a year, and we went through another lineup change, we had started another album, and had a couple of the tunes played on the radio promoting upcoming events, but everyone got busy in their everyday lives, and we never finished it. Anytime someone specifically requested that we play one of our originals, we’d oblige. It’s been a while since we’ve put any of them in the nightly setlist, but if we’re able to find the time, we’d love to write and record some new music. It’s very difficult with everyone’s schedule to find the time to get together and create new music, but that, of course, is at the top of our wish list.

Johnny: What would you say the secret is to staying together like TEAZUR has, and not just playing, but consistently being rated as one of the top bands in the area?

Tobie: I am constantly reminded of how fortunate I am to be surrounded by such quality musicians that constantly work at honing their craft. We know what each other is capable of, and we know what we expect of ourselves, and of each other, every time we take the stage. You never know when someone is seeing you for the first time, so we go out every night and perform like no one in the room has ever experienced a TEAZUR show, and we set out to make the best of first impressions. We take pride in giving every show the same effort, whether there are 10 people in the audience, or 10,000. We owe it to the people that chose to come spend their evening letting us entertain them, as well as ourselves. This is a fun job! We want the crowd to have as much fun as we’re having!

Johnny: How would you describe a Teazur show to someone who has never seen you, but is thinking about coming out for the first time?

Tobie: I’d say that you’re not going to see a local band perform at a local venue. You’re going to a concert. A concert that you’d hope and expect to see at your choice of concert hall or arena from Liberty Hall in Tyler, to Madison Square Garden in New York City. We want and expect the folks that come to see us play to say that very thing to any of their friends or family when they describe what they experienced after it was over and they’ve made their way home after the show. “Those TEAZUR guys put on a Show!” We end every show with me telling everyone, “Thank you for choosing to spend your evening with TEAZUR. We know there plenty of great bands out there for you to choose from. Please always be kind to one another,and if you have been drinking, Do NOT Drive! We want to see you all again next time we come back here!”

 

Follow TEAZUR on the World Wide Web:

 

www.facebook.com/TEAZUR/

Continue Reading

Click to see this month's issue:

Connect With Us!

Tags

More To Do!