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Taking Every Footstep To Heart:  Gary Patrick

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By Johnny Griffith

Month to month I talk to a lot of musicians here in East Texas. Either I’m interviewing them for EGuide, or playing with them on stage, or catching one of their shows in between gigs. One of the things I always enjoy asking when we talk is “Who excites you in the East Texas music scene?” People are always happy to share who they’ve seen lately that they enjoyed or who I need to go see, and the list is as diverse as the group of people I’m asking. However, there is one name who kept popping up on enough lists that I finally had to stop and give him a listen.

That name was Gary Patrick. 

Originally born in Tyler, Gary took a circuitous route around the country over the next several years that saw his career as a working musician begin in Southern California and from there would take him all over the country and even as far away as Europe before bringing him back to where he started, right here in East Texas. 

With a gift for telling a story and the musical chops to back it up, Patrick is part Pat Green, part Tom Petty, but yet completely Gary Patrick. His latest single, “Man’s Gotta Have Some Fun,” cracked the top 50 in 8 weeks, and he was recently nominated for “new male vocalist of the year” in the Texas Regional Radio & Music Awards. I was lucky enough to grab some time with Gary in between stops on his radio station tour to sit down and find out more about the man that has local musicians talking.

Johnny: What is your earliest memory in music?

Gary: My mother’s jewelry box had a wind-up music harp in it. The song was “Fur Elise” by Ludwig Van Beethoven. I was mesmerized by that melody and kept coming back to open the magic music box. I was around three years old. 

Johnny: You grew up in a very musical family, but when did you have that moment when you wanted to start learning it for yourself?

Gary: My older brother Ronnie, who is 12 years older than me, played guitar and taught me a few things when I was tiny. I couldn’t wrap my hand around the neck of the guitar so I played the strings almost like a piano from the top of the fretboard. At 10 years old, my folks took me to Mundt Music here in Tyler, circa 1981, where I met my most impressionable music mentor, guitar teacher and friend, Tom Russell. Tom taught me from age 10 until I was almost 18. To make a long story short, the answer to your question is sometime around ten or eleven. I still remember how music took a firm hold on me. What I didn’t understand then but clearly understand now is that I really didn’t choose music, but rather it chose me. I was innocent and helpless but I loved how music made me feel, and that learning an instrument was a deeper connection with something that would always be with me.

Johnny: At what point did you start thinking this was something you wanted to be more than just a hobby and perhaps try to make a career out of it?

Gary: That moment came in 1990. I graduated high school in 1989 and moved to Southern California, where I was attending college courses for an Aeronautical Engineering program. I also love flying and thought of making a career as a pilot. I was two semesters in when I realized my heart just wasn’t in it. My folks have always supported my music and urged me to pursue my dreams, so my Dad walked me around the block one evening and said college courses will be here for you but these are the years to cultivate a career in music. So, go and find your way with our blessing and support.

Johnny: Do you remember who was in your first band and what your first show was?

Gary: I certainly do! Les Clanton and his stepbrother Tony McAfee were in my first band. We knew each other since elementary at Alba-Golden ISD. The very first show we played was a big talent show at school. We were called “Novice” but later we changed our name to the “Thundering Hearts,” perhaps to imply we weren’t quite novices any longer. Now that I think of it, I believe Les came up with both names. 

Johnny: Your journey has taken you pretty far from your roots in Jacksonville, is there anything that sticks out in particular along the way?

Gary: Oh wow, how much time do we have here?

I take to heart each and every footstep along the way. My journey with music has had many chapters and many sacrifices. There’s nothing normal about the career of a singer/songwriter/musician/entertainer, but luckily I’ve had the fortune of making many incredible friends and colleagues since my early years of being a professional musician. 

Some memories that stick out in my mind over my career are; playing music up and down the Southern California Coast; taking my band to Helsinki, Finland for a month in 1995 where my long hair froze off, and I’m totally not kidding; playing guitar and singing for Beach Boys great Brian Wilson’s daughters for a few TV shows and radio station tours; being a contracted band for the Bellagio and Mirage Casinos in Las Vegas for several years; recording three albums; currently promoting my second radio single, “Man’s Gotta Have Some Fun,” on Texas Radio; and playing multiple shows per week.

Johnny: When did you first start writing your own material?

Gary: That would happen when I was around 12 or so. 

Johnny: What would you consider your favorite original? How about your favorite cover song?

Gary: Hmm. I think my favorite original song is “Blue Skies” from my latest album, “No Standing Waves,” and my favorite cover song? Yikes, that’s virtually impossible to answer. I must say, “Tunnel of Love” by Dire Straits speaks to me. The lyrics and music are so good it hurts. The story line puts you right there … boy meets girl at a carnival. It takes me back to that innocence every time.

Johnny: How would you describe your particular style to someone who has never heard you?

Gary: With my latest album, I’m proud to say that I sound like me, Gary Patrick. Equal parts of all elements in music that have inspired me vocally, lyrically, and musically since my journey began all those years ago. If I were to describe me in the third person, I might say, “Gary Patrick… he’s that guy that reminds me of Bryan Adams’s tenor voice and plays guitar kinda like Mark Knopfler of Dire Straits. He writes deep lyrics like Gordon Lightfoot, delivers a story like Willie Nelson, and has the happy country energy of Keith Urban.” 

In the end, I absolutely sound like me. All artists have their influences. I certainly have influences across several genres. If you could mix em up and pour a cup, the above mentioned might be a good description. 

Johnny: You’ve done quite a bit of studio work. How has that experience evolved for you and what did you learn from the process that you’ve carried with you moving forward?

Gary: Studio recording is the ultimate litmus test for a musician. I have so much to say about this so I’ll try not to ramble. As an artist, you’ll always be moving onward and upward as long as you work at your craft. Recording is important because it teaches you where you need to refine. If you are an artist or musician that only plays live shows, you are in for a lesson when you step into a studio. The studio environment is completely sterile. You hear all the mistakes you might otherwise miss while playing live. I’d suggest every musician practice playing with a metronome. Guitarist, I’d suggest refine how hard you strike the guitar with your right hand or clutch the neck and pull things out of tune. Refine, refine, refine, refine and REFINE your lyrics before going into the studio. Learn the art of co-writing with folks. Learn to be objective with your lyrics and make certain the story holds true from the first to last word. 

Vocally, get yourself some coaching! Especially if you tend to write songs that peak your vocal range. If you are struggling at all with singing your songs, either change the key or realize that you may need help. Incredible vocal coaches from Los Angeles and Las Vegas can teach you via Skype. In my 30 year career, I wouldn’t have survived vocally without having the knowledge I learned from years of coaching. Knowing vocal technique will only serve you better in the studio. 

If you are an artist without a band and want to record a single or a few songs, reach out and find a producer who can put together a recording session and hire players for you. Sometimes you just don’t have all the answers, so it’s time to build relationships. 

Be serious about your art but don’t take yourself too seriously! This is something that I can speak from experience with. Being intense is a good thing, but remember to relax and enjoy this. Everyone else will enjoy it more too.

Johnny: Do you primarily perform with a full band or more solo work these days?

Gary: I perform solo, acoustic trio, acoustic four piece and full electric band…whatever the venue or show calls for. 

Johnny: What do you have coming up the rest of this year into 2020 that we can look forward to?

Gary: We are playing several shows per week, all over the East Texas area. You can always check our calendar on my website: garypatrick.love.

Johnny: The East Texas music scene has a great collaborative vibe to it, seemingly more so than other areas I’ve experienced over the years. To what would you attribute this sense of community the local musicians in this area seem to share?

Gary: I talk about this all the time, Johnny. I love how much music there is in East Texas. I love seeing so many artists and musicians happily supporting one another. East Texas is a great community that fosters some amazing relationships. On top of that you have so many venues now that support live entertainment. All of that encourages excellence. You know, I’ve personally never been a huge fan of the singing contest TV shows. It’s not how I built a lasting career as a musician or refined my skills and relationships. However, I’ve noticed since shows like “The Voice,” “American Idol,” etc., SO many talented singers/musicians have emerged and a new generation of folks are inspired. The Texas Country scene has completely blown up and offers opportunity for artists and musicians to cultivate a career. Like any career, there’s lots to learn and dues to pay along the way, and that’s where I am in this. I’m promoting singles to Texas Radio, driving to little radio stations all over the state, and meeting new folks that love music. Trying to move the machine out of my 100 mile orbit and grow new fans. It’s hard work. There are times when I want to swing a hammer instead of a guitar, but then I regroup and realize this is what I do.

Johnny: So the last question is hypothetical. You’re stuck on a remote island for the next year and can take one album, and one album only…what is it?

Gary: Oh that’s easy.. Journey, “Infinity, 1978.”

Follow Gary Patrick online at garypatrick.love and facebook.com/Gary-Patrick-Music-2083252245021618/.

Bands

A Blue State Of Mind:  The Bluez Boyz

Bluez Boyz Band

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By Johnny Griffith

Ask any blues player worth their salt, and they’ll tell you it’s not just a genre, it’s a state of mind that gets in your blood and won’t let go. It has to be in order to translate from the mind to the hands to the instruments or through the vocal cords. A true blues musician can reach down in their soul and pull from that emotion, leaving it all out on stage and you BELIEVE the music is authentic. Luckily, we’ve got a group of musicians here in East Texas that have come together to form one of the best blues bands in the area. Bluez Boyz is the brainchild of Bobby Edwards and has been painting the town blue for about 3 years now. I recently sat down with them to get to know the band a little better.

Johnny: What’s the current lineup for the band and a bit of musical background on everyone?

Bluez Boyz: Bobby Edwards started the band about 3 years ago with his son Ronnie on bass and Landon Green on drums. About two years into it we decided to add Chris Wallace to the band. We had seen Chris perform and became really good friends with him and thought he was the perfect fit for the band. All four guys in this band have been in music most all of their lives from early ages. Bobby has been pure blues all of his life and you can tell by listening to him, he didn’t get the nickname “Blue Eyed Soul Man” for nothing. Ronnie Edwards, the son of Bobby, well he was raised by Bobby so of course he is really a huge fan of blues as well. Chris Wallace is also a big blues fan and you can tell it when he sings as well, and he is also known to put some southern rock and a little country twist to things from time to time. Landon Green is the rocker in the group, although he will be the one singing the ZZ Top and Queen songs, he admits that he doesn’t care what genre they play because it just feels right: it’s like jamming with family with these guys; and him and Bobby have played together on and off for almost 15 years and just have that bond on stage that’s even rubbed off on Chris and Ronnie, and everything falls into place.

Johnny: How did the band meet? 

Bluez Boyz: Bobby and Landon met around 15 years ago through Bobby’s brother Frank who was playing bass at the time. Landon was asked to join their band “Bobby Edwards Blues Band” and they played for several years all around East Texas. The guys took a small break to do other side projects and later came back together; however by this time Ronnie Edwards had turned into a beast on the bass and was ready to become his dad’s bass player. After a couple of years of playing, and as the shows had continued to grow to a very steady schedule, we felt like it was time to add to the band, so of course we felt like the best fit for us was our good friend Chris Wallace. 

Johnny: Why that style of music? It’s certainly not a style that gets the most real estate on stages around the area. What led you to your sound? 

Bluez Boyz: Blues is definitely our genre of choice because Bobby started the band and if you have ever heard him sing the blues then you know why we call ourselves a Blues Band. However, just as you mentioned, it certainly may not bring the most real estate around this area and that is why we add other genres to our shows as well, so that when you come and hear us you will get a wider variety such as rock, funk, oldies, and country. If we play a festival, or a blues based show, then we can promise you that you will hear some of the best live blues that you have ever heard when the “Blue Eyed Soul Man” Bobby Edwards, along with his sidekick Chris Wallace, start throwing down them REAL blues!

Johnny: Who are some of the significant influences musically for the band? 

Bluez Boyz: Stevie Ray Vaughan, BB King, Buddy Guy, Wes Jeans, ZZ Top and many more.

Johnny: What was your first gig as the Bluez Boyz?

Bluez Boyz: We three pieced at first with just Bobby, Ronnie, and Landon and our first show may have been FRESH by Brookshires. Then our first show after adding Chris might have been Republic Icehouse. It’s been a while and we have played tons of shows in 2019.

Johnny: In an area that is traditionally dominated musically by country and rock acts, have there been any challenges getting gigs and building a base for a blues band? 

Bluez Boyz: Like we mentioned earlier we have added a lot more genres to our show. When you come to one of our shows now you may hear some ZZ Top, Hank Williams Jr., heck even some old school rap etc. We understand that these crowds want to hear a variety so we do our best to give them that nowadays; however we will always classify ourselves as a blues band and will push for success in the blues genre any chance we get. As far as coming to our shows, let’s say a local restaurant or club, then you’ll get an awesome mix of amazing music along with a great show playing your favorite mixes of all genres. So yes, we have met that challenge and know the struggle oh so well. 

Johnny: Are you guys typically local to the East Texas area or do you venture out into other markets at this point? 

Bluez Boyz: We do stay pretty busy locally around some great East Texas venues and restaurants etc.. However, we did branch out in 2019 and did several Oklahoma, Louisiana, and Dallas/ Ft. Worth Shows, and we plan to get out even more if possible in 2020, so get ready Bluez Boyz fans!

Johnny: About how many shows are you playing a month currently?

Bluez Boyz: About 8-10 , Usually every weekend and possibly a few during the week at times. 

Johnny: What has been the most memorable gig for the band to this point? 

Bluez Boyz: Probably opening up for, and getting to hang out with, Billy Bob Thornton and the Boxmasters at TXM Music City in Lindale Texas; also we do have to say that being up on the Gas Monkey Stage in Dallas was pretty dang cool as well. 

Johnny: What does 2020 have in store for the band? Any projects or tour plans? 

Bluez Boyz: We are non stop booking as we speak and hope to fill 2020 up as soon as we can. We have some recording planned, and Christine Edwards (Bobby’s wife, band manager) is currently talking with a few venues in a totally different state than what we mentioned earlier, and let’s just say if that goes through for us in 2020 it could be the start of something big. 

Johnny: For new fans, what can they expect at a show with The Bluez Boyz? 

Bluez Boyz: We love having other musicians come up and sit in with us and we have been told numerous times by other musicians how they love the fact that we don’t plan out anything, and don’t even use a set list. We just act on what everyone is feeling and go with it and have a blast doing it on stage. You may get comedy, you may get bloopers, you may get an open mic night, but we can promise that when you leave you’ll be saying “dang, that was an awesome night!”

Follow the Bluez Boyz online at facebook.com/BluezBoyz73/and bluezboys.com.

 

 

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Guitar For Hire: Mayson Garner

Mayson Garner

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By Johnny Griffith

The term ‘mercenary’ has pretty much always had somewhat of a negative connotation with it throughout its history. It’s typically portrayed in literature and film as someone whose loyalty extends as far as the next highest bidder and in whom trust can’t be entirely placed. In the music world, however, being a “gun for hire” isn’t necessarily a bad thing at all. In fact, some of the most talented musicians you’ve never heard called by name, you’ve actually heard on some of the most famous albums of all time as studio musicians or on stage as touring musicians. One of East Texas’ most talented musical mercenaries is Mayson Garner. With eclectic musical tastes, killer guitar chops, and the vocal range to cover a broad spectrum of styles, Mayson can be found on stage in the area several nights a week and has worked with several projects in the area as well.

We caught him at a Thursday Open Mic night at Alibi Barcadia over in Longview this month to get a little better idea of the man behind the guitar:

Johnny: What was one of your earliest musical memories growing up?

Mayson: I remember my mom having this classical acoustic guitar lying around the house. It had only three strings and I would play it anytime I got the chance. That little guitar sparked this intense love that I now have for music, and guitars in general. I ended up playing it until all three strings came off, but I couldn’t forget the feeling it brought me when I played it. That’s why I am the way I am till this day. 

Johnny: When did you first pick up an instrument, and was it a guitar or did you start somewhere else and gravitate to the guitar later?

Mayson: I was 4 when I discovered my mom’s acoustic, and from then until I was 15 or 16 it was only the guitar that I was interested in. Then it was drums, piano, bass, and other various instruments. 

Johnny: What were some of your early musical influences when you were learning your instrument?

Mayson: My real musical influences started to appear when I was an early teen; that’s about as early as I can remember having major influences on the guitar. Adam Jones from the band Tool, as well as Jerry Cantrell from Alice in Chains, were major impacts on my playing, and still are in a few ways with Jerry Cantrell being the one I hear most in my playing these days. Guys like David Gilmour, Jeff Loomis, Michael and Christopher Amott, and Mikael Åkerfeldt played a part as well in shaping my earlier years of guitar playing. 

Johnny: Did you pick any of your musical abilities up from your parents?

Mayson: No not at all, neither of them could play instruments. I mean my mom could sing, but that was heard on the rarest of occasions. It’s still a mystery to me how I fell in with music. This might sound a bit quirky, but I like to think maybe whatever or whoever is looking out for me was like “here you go I want you to have this.” 

Johnny: When did you perform your first public gig and do you remember the first gig you ever got paid for?

Mayson: The first time I played for an audience was a talent show at my school. I loved being up on stage showing people what I could do. From then on I was hooked on playing for the masses, but it would be years before I would ever play my first paying gig, which was for the acoustic nights held on the patio of an On The Border here in Longview about 4 years ago. The first night I ever met Neal McCoy too – it was weird sitting there trying not to suck as this country star was sitting across from me. 

Johnny: When did you get the idea that you might want to be a bit more serious with music and take it just beyond the hobby stage?

Mayson: I think I’ve always been serious about music, and wanted to take it past my bedroom, so I started playing different churches and youth groups. But I wanted to keep pushing it further, so I went to a jam and knew at that point I had to be in an actual band. And before I knew it, I found myself in a few different bands basically marketing myself as a hired gun, and have been doing so since that jam, and I gotta say I’m very glad I labeled myself as a hired gun because I have met some really talented and genuinely awesome people along the way.

Johnny: You’ve got a pretty extensive catalog of songs you call on when doing open mic and solo events. What would you say some of your favorites currently are?

Mayson: I would have to say right now my favorites are “Kashmir” by Led Zeppelin, “I Am The Highway” by Audioslave, “Do I Wanna Know” by Arctic Monkeys, and “Keep on Swinging” by Rival Sons.

Johnny: How many originals do you have and how often do you get to work them into sets?

Mayson: I actually have a few notebooks of originals, but I have yet to work them into any of my sets because after I write them I either forget about them or never think they are quite right so I never play them. I tend to overthink my music thus keeping me from sharing it – a bad habit I’ve got to break – but that doesn’t stop me from writing. I will have some new originals waiting to be played in the near future. 

Johnny: Some of your work I enjoy the most is when you’re doing some of your bluesier covers. What direction do your originals tend to take stylistically?

Mayson: Thank you. I’m very much an eclectic musician, so I tend to write various styles of music, but if I had to pin down a specific genre I feel is the most me, I would have to say rock ‘n roll. Rock music inspired by the styles of the ‘70s and ‘90s is more what I dig than anything else. 

Johnny: You do a lot of collaborative work with other local musicians as well as your own solo nights at several venues around East Texas. Who are some of your regular partners you take the stage with?

Mayson: My good friends Jerry Johnson, who is a killer bassist; and Ladarius Daniels, who we all know for being the main man when it comes to playing a mean saxophone. But recently I’ve made a new friend named Kasey Moore who is a cool dude, and a good player. 

Johnny: About how many times a month are you on stage somewhere around the region?

Mayson: Anywhere between 5 and 6 times a month on average. I do some solo shows and some open jams, but with this coming year chances are my band and I will be everywhere else besides our home town. 

Johnny: What have you been the proudest of, so far, in your musical journey?

Mayson: Probably how far I have come with who I am as a person and how I am as a musician. Both of which are things I am constantly working on. 

Johnny:  What are you excited about, musically, as we begin the new year?

Mayson: The new shows my band and I have lined out for 2020, and really just the excitement of where me and my music are going. There’s a sense of excitement for me in what the future may hold as I keep my head down and keep working toward the ultimate goal. 

Follow Mayson Garner at facebook.com/mayson.garner.

 

 

 

 

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Charting His Own Course:  Levi Kitchen

Levi Kitchen

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By Johnny Griffith

It’s always fun to check back in with people we’ve interviewed in the past and see what they are up to a couple of years later. This month I got to sit back down with Levi Kitchen and check back in with him about 3 years after our last interview. If you’re not familiar, Levi is a veritable one-man band. A multi-instrumentalist who utilizes looping technology to lay down his own background music on the fly, Kitchen has been bringing his unique brand of entertainment to stages around East Texas for almost 20 years now. A man of many talents and constantly creating, Levi took some time out to catch us up on what’s been going on lately:

Johnny: It’s hard to believe, but it’s been 3 years since we last did an interview. What are some of the more significant events for you during that period?

Levi: Being hired to perform for political fundraisers for district judges, state representatives, and even the Longview Fire Marshal’s retirement party were a few proud moments. That last one resulted from the Fire Marshal being called to my house because a neighbor thought my studio was on fire, but then he obtained my business card and later hired me to play his party. I was shocked to be hired by several different Chambers of Commerce, including Lindale, where I performed for Miranda Lambert’s friends and family. I had the opportunity to do several radio interviews and had original compositions placed in different video and film productions. Seeing your name in movie credits is a cool feeling and my music was the background in some national television commercials.

Johnny: I’ve been able to catch a couple of your shows this past year and they’re still as impressive as ever. Has the technology improved or evolved that makes the process a little easier?

Levi: It’s not getting easier. The technology is advancing, of course, but it gets more complicated as it advances and that’s not always a step in an easier direction. I have a newer, “better” loop station that I’m still currently not using at shows because it’s taking me quite a while to learn the new one as well as I know the old loop station. The familiarity with the equipment during the performance is crucial to the success of a looping performance. When performing, I still use the old faithful BOSS RC-300, which has been top of the looping heap for a decade. The next step up from this pedal has traditionally been looping programs that require you to use a computer. But now I practice with a newer, more advanced loopstation regularly to achieve the kind of familiarity necessary to perform with it. It’s called a “Headrush” and it’s going to be a big leap in technology for me when I finally decide to bring it into my live performance. Practicing a new loop station is like learning a new instrument, to a certain extent. It might take me over a year to implement the new loop station to a satisfactory level of smooth operation.

Johnny: About how many shows a month are you playing these days?

Levi: Within the past few years I reached a point where I was getting hired to perform so often that I had to cut back. The grueling pace I set for myself was beginning to wear me out. I was holding down 5 or 6 shows per week for several years, which left very little room for other things in life. I have intentionally cut it back to doing about 3 performances per week these days, but I pick and choose now which venues or events I actually want to do where previously I used to just play anything I could get my hands on.

Johnny: Last time we spoke, you were looking forward to playing more shows over in the Dallas area. Have you made any progress playing more shows out of the greater Tyler area?

Levi: As far as Dallas, I have been invited to play all kinds of things over there that I have avoided on purpose. In the past few years, I have traveled to Dallas at least several times to perform for weddings, mostly. I will just be honest here and say, ironically, I’m very introverted and prefer quiet, peaceful environments. When I go to Dallas, all I can think about is getting back to a comfortable setting like East Texas. I have played nearly everywhere there is to play in Tyler at some point over the years, as well as the Longview area, and just about every small town within an hour or two of Longview. I prefer it out here in East Texas over the chaotic frenzy of large, busy cities. Staying here is intentional at this point. I’m not looking for more attention or trying to expand my range or anything. People just keep hiring me to jam all around East Texas so I keep on jamming. I’m happy playing my little shows around here and I never saw much happiness down the path of the nationally touring artist, but that’s just a personal preference. 

Johnny: You were also about to put out a new album at that time as well. How did that turn out?

Levi: Well, I post my original songs for free download on my website, levikitchen.com. I’m still fiddling around with hundreds of recordings in my home studio. I have been working for almost ten years now on a musical, spoken word audiobook in the epic sci-fi fantasy genre as well. I have created hours of this wild, unprecedented thing, but it still needs years of work before completion. This illustrates what is likely one of my biggest problems as an artist. I get distracted by interesting projects that never see the light of day because I don’t care much about what people are expecting of me. If I get caught up in the joy of creation, I don’t waste much time worrying about what is trendy or in-demand. I just dive into it and bask in the joy of disappearing completely into the alternate universe I’ve created with this music and story. So I’ve been somewhat distracted from making a new album. Aside from this, the need to combine songs into an “album” isn’t quite as applicable as it once was. Digital distribution has allowed artists the ability to cheaply publish singles as often as they want or, like me, they can choose their own method of distribution. Personally, I make very little money off of original works, but I make almost my entire living off of performing shows which consist mostly of covers. People are using music streaming services now more often than making purchases, so musicians these days are living in a rapidly changing landscape. 

Johnny: So in addition to your music performance, you have been producing music for several years as well. What are some of your more memorable projects in that area?

Levi: I’ve been producing music for twenty years now. Those early years, my brothers and I were just kids with a garage studio, but we still had customers paying to have us record and produce them, so it still counts. It was probably about 1998 when my brothers and I spent one summer painting these massive banners for the Rangerettes to use at their Cotton Bowl half-time show. By painting these banners, and also painting some fireworks stand signs in Kilgore, we earned enough money to buy the best recording studio gear we could get our teenage claws on at the time. The first time I ever earned money as a studio engineer was in 1999. I was 14 years old. Some notable mentions and really good times were had by all over many years when I had the opportunities to produce and record Ally Venable, Lulu and the Black Sheep, Darby Warren, Andrew Beason, 3WeeksPlay, Daniel Foster, Jasmine Nyvall, Lane Rogers, David Smith, Biff Rushton, Allen Wayne Nichols, King Richard, and the Bayou Boys, Gypsy Rebel – lots of great artists and too many others to mention have recorded in my humble shack!

Johnny: As 2020 rolls in, what is on your radar this year that has you excited?

Levi: I intend to buy land this year and build my next studio by some water where I can create an aesthetically pleasing environment for musicians to create and record in. My little south Longview shack has lived its life as a studio and it’s time to take these creative energies to a pleasing new environment soon. Aside from this big dream, it’ll be business as usual in 2020 I suspect. I’ll play a lot of shows and spend the rest of my time hiding from everyone, tinkering with robots and strange invention ideas. I’m also getting married on Leap Day, Feb 29th. My fiance and I suspect we’re about the weirdest people we know, so we picked the weirdest day we could think of to get married on. We’ll only have an anniversary every four years and there’s no possible way I could forget the date. 

Johnny: What do you feel is your best memory of your musical career so far?

Levi: I remember a moment ten years ago when I jumped up in joy and danced around my studio because I had booked 3-5 shows per week for four months in advance. Up until this point in my career, I had always worked another job. The realization suddenly dawned on me that I could do this full time. I guess you could metaphorically call it the day that I “quit my day job.” I felt at that moment that I had finally achieved a lifelong obsession that started when I was ten years old, dreaming of earning my living with music someday. I danced like I knew nobody was watching, and thankfully, nobody was watching. Strangely, and to my ongoing surprise, things continue to proceed in much the same way ever since.

Johnny: Where can someone find you playing over the next couple of months?

Levi: I’ll be performing at Holly Lake Ranch Resort in Hawkins, and The Villages Resort in Flint throughout the year, as well as Copeland’s of New Orleans in Longview regularly. I will also be performing at Nuna’s Cajun in Palestine, Steve-O’s Pizza in Mt. Vernon, Los Pinos Ranch in Pittsburg, Enoch’s Stomp in Harleton, Yamato in Tyler, Serenity Church in Longview and many more. I’ll be playing several new venues as well in 2020, so keep checking in with me. If you want to find the specific dates for any of these venues, I suggest finding/liking my facebook page or researching the venues directly to check their schedules. 

Follow Levi Kitchen and all his projects on the World Wide Web at levikitchen.com as well as event updates on Facebook.

 

 

 

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