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Guitar For Hire: Mayson Garner

Mayson Garner

By Johnny Griffith

The term ‘mercenary’ has pretty much always had somewhat of a negative connotation with it throughout its history. It’s typically portrayed in literature and film as someone whose loyalty extends as far as the next highest bidder and in whom trust can’t be entirely placed. In the music world, however, being a “gun for hire” isn’t necessarily a bad thing at all. In fact, some of the most talented musicians you’ve never heard called by name, you’ve actually heard on some of the most famous albums of all time as studio musicians or on stage as touring musicians. One of East Texas’ most talented musical mercenaries is Mayson Garner. With eclectic musical tastes, killer guitar chops, and the vocal range to cover a broad spectrum of styles, Mayson can be found on stage in the area several nights a week and has worked with several projects in the area as well.

We caught him at a Thursday Open Mic night at Alibi Barcadia over in Longview this month to get a little better idea of the man behind the guitar:

Johnny: What was one of your earliest musical memories growing up?

Mayson: I remember my mom having this classical acoustic guitar lying around the house. It had only three strings and I would play it anytime I got the chance. That little guitar sparked this intense love that I now have for music, and guitars in general. I ended up playing it until all three strings came off, but I couldn’t forget the feeling it brought me when I played it. That’s why I am the way I am till this day. 

Johnny: When did you first pick up an instrument, and was it a guitar or did you start somewhere else and gravitate to the guitar later?

Mayson: I was 4 when I discovered my mom’s acoustic, and from then until I was 15 or 16 it was only the guitar that I was interested in. Then it was drums, piano, bass, and other various instruments. 

Johnny: What were some of your early musical influences when you were learning your instrument?

Mayson: My real musical influences started to appear when I was an early teen; that’s about as early as I can remember having major influences on the guitar. Adam Jones from the band Tool, as well as Jerry Cantrell from Alice in Chains, were major impacts on my playing, and still are in a few ways with Jerry Cantrell being the one I hear most in my playing these days. Guys like David Gilmour, Jeff Loomis, Michael and Christopher Amott, and Mikael Åkerfeldt played a part as well in shaping my earlier years of guitar playing. 

Johnny: Did you pick any of your musical abilities up from your parents?

Mayson: No not at all, neither of them could play instruments. I mean my mom could sing, but that was heard on the rarest of occasions. It’s still a mystery to me how I fell in with music. This might sound a bit quirky, but I like to think maybe whatever or whoever is looking out for me was like “here you go I want you to have this.” 

Johnny: When did you perform your first public gig and do you remember the first gig you ever got paid for?

Mayson: The first time I played for an audience was a talent show at my school. I loved being up on stage showing people what I could do. From then on I was hooked on playing for the masses, but it would be years before I would ever play my first paying gig, which was for the acoustic nights held on the patio of an On The Border here in Longview about 4 years ago. The first night I ever met Neal McCoy too – it was weird sitting there trying not to suck as this country star was sitting across from me. 

Johnny: When did you get the idea that you might want to be a bit more serious with music and take it just beyond the hobby stage?

Mayson: I think I’ve always been serious about music, and wanted to take it past my bedroom, so I started playing different churches and youth groups. But I wanted to keep pushing it further, so I went to a jam and knew at that point I had to be in an actual band. And before I knew it, I found myself in a few different bands basically marketing myself as a hired gun, and have been doing so since that jam, and I gotta say I’m very glad I labeled myself as a hired gun because I have met some really talented and genuinely awesome people along the way.

Johnny: You’ve got a pretty extensive catalog of songs you call on when doing open mic and solo events. What would you say some of your favorites currently are?

Mayson: I would have to say right now my favorites are “Kashmir” by Led Zeppelin, “I Am The Highway” by Audioslave, “Do I Wanna Know” by Arctic Monkeys, and “Keep on Swinging” by Rival Sons.

Johnny: How many originals do you have and how often do you get to work them into sets?

Mayson: I actually have a few notebooks of originals, but I have yet to work them into any of my sets because after I write them I either forget about them or never think they are quite right so I never play them. I tend to overthink my music thus keeping me from sharing it – a bad habit I’ve got to break – but that doesn’t stop me from writing. I will have some new originals waiting to be played in the near future. 

Johnny: Some of your work I enjoy the most is when you’re doing some of your bluesier covers. What direction do your originals tend to take stylistically?

Mayson: Thank you. I’m very much an eclectic musician, so I tend to write various styles of music, but if I had to pin down a specific genre I feel is the most me, I would have to say rock ‘n roll. Rock music inspired by the styles of the ‘70s and ‘90s is more what I dig than anything else. 

Johnny: You do a lot of collaborative work with other local musicians as well as your own solo nights at several venues around East Texas. Who are some of your regular partners you take the stage with?

Mayson: My good friends Jerry Johnson, who is a killer bassist; and Ladarius Daniels, who we all know for being the main man when it comes to playing a mean saxophone. But recently I’ve made a new friend named Kasey Moore who is a cool dude, and a good player. 

Johnny: About how many times a month are you on stage somewhere around the region?

Mayson: Anywhere between 5 and 6 times a month on average. I do some solo shows and some open jams, but with this coming year chances are my band and I will be everywhere else besides our home town. 

Johnny: What have you been the proudest of, so far, in your musical journey?

Mayson: Probably how far I have come with who I am as a person and how I am as a musician. Both of which are things I am constantly working on. 

Johnny:  What are you excited about, musically, as we begin the new year?

Mayson: The new shows my band and I have lined out for 2020, and really just the excitement of where me and my music are going. There’s a sense of excitement for me in what the future may hold as I keep my head down and keep working toward the ultimate goal. 

Follow Mayson Garner at facebook.com/mayson.garner.

 

 

 

 

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Rescheduled: Oct. 20th, 2020 Red Dirt BBQ & Music Festival

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The 2020 Red Dirt BBQ & Music Festival Returns to Downtown Tyler

The new date has been set for Sunday, October 11th. It will be the same setup as normal, just on a Sunday:  https://facebook.com/events/s/2020-red-dirt-bbq-music-festiv/1332463773558598/?ti=icl

May 2nd October 11th, the 7th annual Red Dirt BBQ & Music Festival presented by Hyundai of Longview will be held in Downtown Tyler, and with it comes the best of barbecue in Texas and top of the line music all day. 

The Red Dirt BBQ & Music Festival has proven to be one of the most premier and unique music and food experiences in Texas. The festival takes place on the brick streets of the Downtown Square in Tyler every May, with the 2020 edition featuring at least 30 of the most celebrated barbecue restaurants in Texas. Music happens for nearly 12 hours on two stages, with the main stage highlighting the biggest names in Texas and Red Dirt Music. 

This year’s festival will also feature the state’s most celebrated barbecue restaurants providing samples of their smoked meats to attendees. Barbecue joints from as close as Tyler and as far as Amarillo converge on the Rose City to showcase their smoked meats to thousands of barbecue enthusiasts, while thousands more pour onto the brick streets for the concert. 

Performances this year feature Parker McCollum (10pm), Josh Abbott Band (8:15pm), Jason Boland & The Stragglers (6:45pm), Charley Crockett (5:15pm), and Chris Colston (3:45pm).

“Top to bottom, I don’t think there’s ever been a Red Dirt lineup we’ve been more excited about. Having these names join our incredible barbecue joints was a huge honor for our sixth festival,” Red Dirt promoter Chase Colston said. “We’re expecting an even faster sellout this year and can’t wait to get back on the brick streets for another great Red Dirt BBQ & Music Festival.” 

The festival is sold out. Watch reddirtbbqfest.com in case any more tickets are released.

The Red Dirt BBQ & Music Festival is presented by 101.5 KNUE, East Texas’ No. 1 country music station, “Radio Texas, LIVE! With Buddy Logan,” and Hyundai of Longview.

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Guitar On Fire: Reece Malone

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By Johnny Griffith

Hendrix, Stevie Ray, B.B., Eddie, Slash, T-Bone Walker, David Gilmour, Duane Allman, Derek Trucks.

Their names, along with countless others, are etched into our brains and into the history of music along the way.  The guitarist. That captivating centerpiece of modern music that constantly amazes us with their creativity and a certain amount of swagger.  There are millions of people that day-dream about being a guitarist on stage. Even amongst the tens of thousands of garage guitarists and local legends who play every weekend there are few who possess the chops and that “it” factor who will ever get the opportunity to perform at the next level.  But then you have musicians like local guitar prodigy Reece Malone who has packed a lifetime of experience into 16 phenomenal years.
The Longview native and Spring Hill ISD sophomore has been burning up stages since his debut 8 years ago with a resume of performances and endorsements under his belt that would make some of the most seasoned guitarists get excited. A working musician since 10, he’s been part of several projects and is currently chief shredder for Salvation From Sundown. I caught up to him this past month and was able to have a conversation to get to know him a little better.

Johnny: What is your earliest memory of music?

Reece: I remember growing up listening to Van Halen, Deep Purple ,Jimi Hendrix,Ozzy and people like that. I also remember one of my first concerts was seeing ZZ top and Aerosmith and getting to meet the guys from ZZ Top in person! 

Johnny: Was guitar the first instrument you picked up?  When did you start learning? 

Reece: Guitar was the first instrument I picked up and started playing but I started learning by ear at about 6 or 7 years old. The first things I would pick up was stuff like smoke on the water and simple songs like that. 

 

Johnny: Do you play any other instruments currently or is your primary focus guitar? 

Reece: My primary focus currently is guitar but I do like to try to play other stuff like drums,bass, and piano.

 

Johnny: When did you realize you had a true gift for music?

Reece: After playing for the first time in Dallas, realizing how much everyone liked it and thought I was good. As a result, about 8 years old I started taking it more seriously. 

 

Johnny: When and where was your first public performance?

Reece: I remember playing in Lewisville at a place called Coach Joe Avezzano’s Hat Tricks with Lance Lopez when I was around 8 years old. 

 

Johnny: Who have been some of your most significant personal, and musical, influences thus far?

Reece: Lance Lopez has been a huge guide for me in my musical career but people like Jimi Hendrix, Philip Sayce, Eric gales, Derek Trucks & Marcus King are some of my biggest influences.

 

Johnny: So the first time I saw you perform live was probably the 2016 T Bone Walker Blues Festival in Longview and you were on stage with Lance Lopez and Salvation From Sundown.  How did that relationship with Lance and those early years with SFS help shape you into the musician you are now?

Reece: Lance helped with music genre, songs and has even been in the band at one point so he has been a huge influence on me. The band name Salvation From Sundown originates from one of Lance’s albums as well. Lance has introduced me to several people in the industry and given me many opportunities through the years. 

 

Johnny: For someone your age, you’ve got more experience on stage than some people get in a lifetime, what have some of the challenges been along the way with managing the things a teenager has to navigate and chasing the dream most musicians have?

Reece: I haven’t had many things to hold me back. I’ve been super blessed with my school working with me and my parents helping me along the way and all of my friends are understanding when I can’t do stuff with them. My parents are understanding with me doing stuff with my friends also so I’ve had great opportunities to do stuff musically and socially!

 

Johnny: You’ve had some pretty cool opportunities the last year or so with the Crossroads Festival and I’ve heard about this private event hosted by Gibson where you got to open for a couple of okay guitar players, want to talk about your experience with that? 

Reece: I was very excited to be chosen to open up a private event with some really good friends playing all Gibson guitars opening for people like Slash, Don felder, Billy Gibbons , Rick Neilson, Celisse Henderson, Lizzy hale, Jimmy Vivino and several others. Eric Clapton’s Crossroads was also an amazing opportunity to be one of the only local guitarists invited to play the festival. I also performed on the Gibson stage at Winter NAMM in January and while in California I was invited to participate in a charity event Dark Side of the NAMM and played with Steven Perkins(drummer Jane’s Addiction), Stu Hamm (Bass player for Joe Satriani, Steve Vai) Gilby Clarke (Guns N Roses), and Vernon Reid (Living Colour). 

 

Johnny: What are some other highlights of your young, but productive, career?

Reece: At the age of 13 I was invited to play at a halftime show at a Knicks game at Madison Square Garden. I was asked to represent Texas so I played a ZZ Top song. I’ve also had the opportunity to sit in with Marcus King in Dallas at The House of Blues. I’m the youngest guitarist to ever be featured on the cover of Buddy Magazine,which is the oldest music magazine in the state of Texas. I’ve also been professionally endorsed by Gibson Guitars, Ernie Ball Strings & Homestead Amplifiers. I truly have been fortunate so far in my music journey to be surrounded by amazing people and experiences. 

 

Johnny: What is on your radar for 2020 that we should keep our eyes open for? 

Reece: I will be playing at the Dallas international guitar festival, Bedford Blues festival, Gibson sponsored events and also many other shows throughout the year. You can look on our band page for more dates!

For more information about Reece and what he’s got going on, follow him on Instagram and Facebook at Reece Malone Music.

 

 

 

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Dagnabbit: Get Your Good Times On!

dagnabbit-10By Reid Kerr

“He played, Fire on the mountain, run boys run”

The fiddle jumps in the musician’s hands as he wades into the crowd while playing the familiar strains of arguably Charlie Daniels’ best known hit.

“The Devil’s in the house of the rising sun!”

To the delight of onlookers, the fiddle player climbs up on the nearest table as he keeps playing while the rest of the band sings.

“Chicken in a bread pan pickin’ out dough!”

The crowd cheers him on as he balances precariously on the less-than-sturdy-table.

“Granny will your dog bite? No, child, no!”

As the band finishes the song, fiddle player still perched atop the wobbly table, the crowd erupts in applause, simultaneously appreciative of the performance and the fact that the fiddle player didn’t crash into their dinner. That fiddle player is Ryan Pierce, the band is Dagnabbit, and the crowd this time is the Pilots & Sponsors Party at the Great Texas Balloon Race.

dagnabbit-13Dagnabbit has been helping people satisfy their fix for live music since 2006. Originally started by Pierce, Ricochet bassist Greg Cook, and local drumming mainstay Terry Salyer, the musically-diverse collective has had various members since it’s inception, but the core line-up for the past few years has been Ryan Pierce on vocals/fiddle/guitar, Chuck Dowden on guitar/vocals, Tim Smith on bass guitars, Johnny Griffith on keyboards/vocals, and Joe Rodriguez on sound. The drummer on this particular night was Marcus Jones, a newcomer to the group with only a couple of shows with the band under his belt.

To describe the Dagnabbit band musically would be a challenge, as they will tackle just about anything, across any genre, in order to entertain at the particular event they’re playing. They play weddings, fundraisers, private parties, as well as local venues like Leon’s Steakhouse and Saloon in Longview or the Back Porch in Kilgore. If you had to pin them down to a summary description, they’d be a party band that specializes in good times wherever they go. Just as comfortable tackling Charlie Daniels as they are taking on Jason Aldean. Equally as proficient with such funk classics “Play That Funky Music” as they are with R&B hits “Purple Rain” and “Easy Like Sunday Morning.” As likely to play Garth Brooks as they are the Rolling Stones or Elton John, Dagnabbit setlists are designed to move with the mood of the crowd and play toward how they respond. Sound engineer Joe Rodriguez says, “The vibe that the guys have on stage is a feeling that anything is possible at any time, so you don’t know what might happen next. It certainly keeps me on my toes at the sound board.”
dagnabbit-8

The ability to be such chameleons on stage is a byproduct of a talented lineup of musicians, each one accomplished and seasoned on their respective instruments from years of playing in local, regional, or national acts. Pierce, 40, who pulls the majority of the typical “front man” duties has played with such National Acts as Neal McCoy and The Oak Ridge Boys. In addition, he was the house band leader for the Reo Palm Isle, at one point performing with Miranda Lambert early in her career. Ryan started playing music seriously around the age of 18 and studied music in college before starting to play in bands. Bassist Tim Smith started playing at age 11 in church and has played with regional acts such as Mark Cooke, Waylon Pierce, and various other bands. Joe Rodriguez, 47, started playing guitar around 14, mixing audio around the age of 25, and has gigged with several bands and churches in the area. Johnny Griffith, 42, began studying classical piano at the age of 5 and continued into college, performing in churches and by 13 was playing in local restaurants and open jam nights. Chuck Dowden, 54, began guitar at 8 and started playing in bands in his 20’s and has recently taken up steel guitar. Marcus Jones started drumming around the age of 10, having played in churches and bands in the Austin area before moving to East Texas in 2012.

Despite their cumulative experience, or perhaps in large part due to their time in other bands, Dagnabbit has a decidedly casual feel on stage. It’s obvious as one watches the band interact with each other and the crowd, they’re having as much fun, if not more, than the people watching them. While they are one of the more polished bands you’ll find in the area, they embrace the inevitable curve ball and mistake, laughing them off and many times working it into the bit in a way that makes you wonder if it was even planned that way. “It’s pretty obvious if a band isn’t having fun with what they’re doing when on stage, and the crowd responds accordingly,” Pierce says. “If a band has tension, or just views it as another gig, then it’s hard to draw the crowd into what you’re doing. We look at it as getting to hang out with five of your good friends and make music while joking around and making a hundred or so new friends over the course of the night.”

dagnabbit-7An evening with Dagnabbit also comes with a few audience perks along the way, other than just getting to hear a quality band with a diverse catalog. It’s common for Pierce to prompt the audience for requests, and equally as likely a person gets invited on stage to help sing or play an instrument. Speaking of instruments, one of the regular bits the band does include is getting a volunteer from the audience to become “the newest member of the Dagnabbit band” while playing a cowbell during the funk portion of the set. There routinely are wigs, dance competitions, crowd sing-a-longs, and a long list of guest artists pulled on stage to showcase their own talents with Dagnabbit acting as a backup band.

Despite the band playing between 30 to 40 shows a year, they insist this is just a side hobby as they each have careers outside of music. “We’re not that type of band, trying to be something bigger than what we are right now,” band patriarch Chuck Dowden explains. “We don’t need to play somewhere every weekend to make a living, and I think that reduces the stress level quite a bit that comes along with trying to gain exposure for a larger platform. It allows us to relax and just play the gig in front of us at the moment.” Dowden, originally from Henderson, moved to Longview in 1981 and started Dowden Supply Company in 1983, opening a Tyler location in the mid-1990’s. Pierce started Alpha Construction in Longview in 2001 and Blackwater Oilfield Services in 2014, while Tim Smith owns TS Construction out of Liberty City. Rodriguez has worked for Mundt Music for several years and has done sound engineering for several churches and private events, while Johnny Griffith is Operations/Sales Manager for Tejas Hydraulics in Longview, and newcomer Marcus Jones works for Aramark Services, also out of Longview.

Dagnabbit has been steadily gaining fans and gigs for the past several years as new opportunities present themselves, but according to keyboardist, Johnny Griffith, their biggest fans, as well as toughest critics, continue to be their families. “Everyone in the band has a family, and we wouldn’t be on stage without their support. Family is the most important thing to each of us, but we have been blessed with spouses who understand how important the music is to us also. Somehow they still continue to come out to our shows, even after hearing the same material hundreds of times.” Each member of Dagnabbit is a father and will routinely bring the kids out to family-friendly events, adding to the intimate atmosphere the band has fostered to this point. Griffith says they are perfectly content to play gigs within an hour or so of Longview so that “everyone can sleep in their own bed at night.”

Indeed, a night with the Dagnabbit band is more like a night out with a bunch of your buddies, watching them joke, antagonize, and marvel at each other on stage over the course of the evening. As the night progressed at the Great Texas Balloon Race, at one point Pierce steps up and sings the phrase, “Come on, come on, get your good times on!” while motioning the typically subdued Smith toward a mic. Smith simply grins and declines the invitation, yet once the mic is safely away from him smiles, yelling out, “All I’m saying is a 20 is a 20, player!” – the band laughing as if some inside joke has just been shared between them, and they know the best time to be had that night, was happening on stage.

(In case you are wondering, “20 is a 20” vaguely references a saying that implies “there isn’t much I won’t do for a 20 bill” referring to you’d have to pay for Tim to talk on the mic.)

Dagnabbit can be found at www.facebook.com/dagnabbit.yall. Upcoming Shows:

  • September 9th @ Leon’s Steakhouse, Longview, 8:30pm
  • September 10th @ Leon’s Steakhouse, Longview, 8:30pm
  • September 17th @ The Back Porch, Kilgore, 8pm
  • October 8th @ Get Rowdy Get Loud, Hallsville ISD Education Foundation Fundraiser, Hallsville
  • October 15th @ Dawg Fest Motorcycle Rally, C.A.S.A. benefit, Mt. Pleasant
  • October 21st @ Leon’s Steakhouse, Longview, 8:30pm

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