Art

Michael Brundidge: Inside the Artist’s Studio

ben wheeler

Some People Call Me the Space Cowboy

By Derrick White

“You are free to do what you want! So go out and get it,” exclaims local artist Michael Brundidge. Michael is a cheerful, energetic, friendly, and laid back personality you are more than likely to encounter during your next visit to True Vine Brewing Company, where he works. His artwork may also be seen there, perhaps being displayed in a one-night, pop-up art exhibition or permanently installed in spots around the brewery. Michael’s art is primarily collages. This is something I personally value because about half of my own artwork is in the medium of collage and I appreciate it when I see it and when I see it done well.

The word collage comes from a French word meaning “to glue” and it is a prevalent and accessible visual art technique, where the composition is created from grouping different colors, forms, and images and creating a new, and sometimes very different, whole. Collages may include drawings and sketches, magazine and newspaper clippings, ribbon, paint, handmade papers, text lettering or phrases, photographs, prints, and other found objects selected and attached to paper, canvas, wood panels, or other supports. The ancestry of the process of collage dates back hundreds of years. 

Brundidge explains, “My main focus in style lately is mixed media collage artwork. Outer space has been the most prevalent theme and inspiration in my current series “Space Is The Place.” I like to mingle Pop Art, Surrealism, and a splash of Neo-Dadaism (an absurdist combination of daily life and art using playfulness, iconoclasm, and appropriation).” He goes on to add, “I use plywood as my canvases (or supports) and acrylic paint for the backgrounds. I love how the acrylic soaks into the plywood. I think the textures really visually pop creating a combination matte and glossy finish to my backgrounds. I use clippings and cutouts of various images found in old magazines from the 1940’s, 1950’s, and 1960’s. I really enjoy the textures and color palettes used in those decades. I juxtapose images of people, places, and things I find interesting onto my painted backgrounds. I like to call it manual Photoshop. The images most often reoccurring throughout my pieces are large ominous hands, planets, women, and astronauts.” After Michael creates his collages he then finishes them by creating a custom frame for each individual piece using weathered or repurposed wood, which adds to the charm and content of the work.

Other than elementary school art classes, Michael Brundidge does not have any formal training in visual art. He is a self-taught artist, sometimes referred to as an outsider or folk artist for the unique qualities of style and practice. When making art to make art, there is no critique deadline and no teacher to please. This is one of the open-ended concepts I love about creating art: the fact you can just decide to do it. If you feel inspired to start making, sharing, and selling art, you can put a sign in your yard today and become just as much of an artist as anyone else. No degree or certification, training, or experience required. This does not mean you will automatically have any success, be any good, or make anything interesting, but you might. You get to express yourself and your unique human experience to the rest of us however you feel compelled to do so. This concept applies to everyone, of any age, of any skill set, and by any means. You cannot do this with most other occupations. You cannot decide to randomly put a sign in your yard and start practicing dentistry, for example. Or as Michael Brundidge puts it, “You are free to do what you want! So go out and get it.”

What inspired Michael down the path of pursuing art was, as he states, “Honestly, it was loneliness and alienation. I know it sounds dismal and depressing but I was truly hard-pressed to do something. I did not feel as though I had much of an identity. Making art brought back vitality, confidence, and purpose in my life.” Adding, “It has developed my trait of persistence. Art has given me the will to continue on despite ridicule, hang-ups, and depravity.” What Michael finds frustrating about being an artist is, in his words, “Exclusivity and competition. I disagree and do not participate in any art based competitions. Art is extremely subjective. Critics and the upper crust held in high regard can make or break an artist. Anyone can make art. I dare and laud them to do so. I truly believe art is a party and everyone is invited.  Make art to make art. Elitism is too common in the art world. The idea that money talks and has unquestionable influence in the art world is a fallacy. Every artist matters and all content must be considered.” So everyone could, and I believe should make art. The process is emotionally healing and therapeutic. It doesn’t matter if you are interested in playing the game of the big money buying and selling art world, which is an economy just like every other commodity-driven economy in the world. Make art by you for you, and let the rest fall where it may whether you are a joker, a lover, or a sinner.

Speaking of jokers, Michael finds inspiration in the works of artist Ray Johnson, who was primarily a collage and correspondence artist. He was described as New York’s most famous unknown artist. Michael exclaims, “He was relentless and continuously persistent in his artwork. He was a recluse staying vigilant and persistent in his process. His media ebbed and flowed at his inclination. Johnson was a prankster in expectation. His content was his own and he did not sway his ideology and process. He even determined and called the shots when it came time for him to leave this world.” On January 13, 1995, Ray Johnson dove off a bridge and then backstroked out to sea in an apparent suicide or perhaps final performance art piece. Strange aspects of Johnson’s death involved the number 13 (date; his age, 67 (6+7=13); his motel room number 247 (2+4+7=13) … and the number of letters in “Me Space Cowboy”). Learn more about Johnson in the documentary film “How to Draw a Bunny.” Learn more about Brundidge by going to True Vine and having a beer.

ben wheeler

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