Connect with us

Music

TEAZUR: You Can Still Rock in East Texas!

stretford tyler tx

It’s the weekend.

You want to go out and unwind from the work week.  

You want to hear some live music but want to make sure you have a good time and get your money’s worth in the process.  

And you want a show!

Ladies and gentlemen, I give you TEAZUR.

The brainchild of founding member Mike Reiner, TEAZUR has been a mainstay on East Texas stages for 13 years and are still going strong.  Through several lineup changes and plenty of challenges along the way, TEAZUR has continually supplied people with their fix of good old fashioned Rock and Roll with all the trimmings to go along with it and find audiences still wanting more.  I sat down with current vocalist/keyboardist Tobie Turner this month to get some insight on how they’ve maintained the magic consistently for this long.

 

Johnny: When did TEAZUR first form and what was the original lineup? Who is in the current lineup?

Tobie: TEAZUR was formed in 2006 by drummer Mike Reiner, who is the only remaining original member. The original lineup consisted of Mike Reiner on drums, Jon Morrow on bass, John Bedinghaus on guitar, and Jeff Cross on Lead Vocals.  The 2019 version of TEAZUR is; Founding Member Mike Reiner on drums, Clint McMullen on bass and keyboards, Scott Cothran on guitar, and myself on Lead Vocals and keys

Johnny: Where was the first gig as TEAZUR?

Tobie: TEAZUR’s first show was at Cat’s Place on Hwy 64, east of the loop. I actually had to ask Mikey, because he is the oldest, and only, remaining member that was actually there!

Johnny: How did the name originate?

Tobie: Mike came up with the name and Jon Morrow changed the spelling to what it is today.

Johnny: Did you guys initially decide to focus primarily on 70’s, 80’s, and 90’s rock intentionally or did it just gravitate that way out of what you all preferred to play?

Tobie: We have always wanted to be the band that played music you didn’t hear from every other house band or jukebox when you walked into your favorite watering hole. As much as we love Clapton, Skynyrd, SRV, and Bob Seger, that is pretty much what makes up “The Standards,” that local bands always seem to load their setlists with. People still ask us to play tunes from those artists, but I generally tell them we try to stay away from content that you hear everywhere else. If you’re looking for Freebird or Turn The Page, you’re not gonna find it at a TEAZUR show.

Johnny: What have been some of the consistent challenges you’ve had to deal with as a band over the life of TEAZUR?

Tobie: This is another question that would be better suited for Mike to answer, but I know he’d say that the numerous line-up changes the band has gone through in its 13 year existence, and the constant effort to stay fresh with our setlist are the two biggest ones. There are people that come to see us that rarely miss a show. To keep them coming back, we are constantly updating what we play to be able to bring a mix of the favorite classics, as well some of the more popular dance music.

Johnny: How would you say the band has evolved from a performance standpoint over the years? How about musically?

Tobie: From the beginning, TEAZUR has always wanted to stand out and give the people more than just “something for their ears.” Mike added a full light show, fog and backdrops to the stage set that has been a staple for us over the years. When people walk into a venue where we are set up to play that night, they can’t help but notice the stage. To go along with that, we are all very engaging and try to interact with the crowd throughout the show. A couple of things that we do that are different from any other local band you see is;

We usually only take one break a night. It’s pretty standard practice for a band to play an hour and take a break. I noticed early on in my tenure with the band, that people generally take the second break of the night as their cue to head for the exits. To keep people in the venue, we typically play two extended sets with one break that is a bit longer than you’d normally see a band take. During that break we make ourselves as accessible as possible and visit with as many people as we can. People like the band more when it’s a band of nice guys that are very approachable.

We open every show the way any sporting event or show in the good ole USA should start. (In our humble opinion…) We ask the room to join us in honoring this great nation of ours with the singing of our National Anthem. We feel honored and very blessed to be able to do what we do night after night, and we pay our respects to those that have, and continue to, put themselves in harm’s way so that we have the freedom and liberty to do so. This is probably the one thing that I am proudest of that we do.

The tradition started at a Halloween show we were playing in 2014 at Barefoot Bay Marina just outside of Pittsburg, Tx. We were all dressed in costume, and backstage before the show. The lights were down, and we were about to open the show with the Night Ranger tune, You Can Still Rock In America. We are all wireless, and were geared up and about to take the stage when I told Mike, “We should stay off stage and sing the National Anthem acapella and go right into Rock In America with a bang!” The guys thought it was a great idea, so I start singing the Anthem. I’ve always used wireless in-ear monitors, which really shuts out the ambient noise. I was about halfway through the song when I realized the entire room was singing with me so loudly, I could hear them coming through the open mics on stage. We exploded onto the stage with Rock In America, and the place went nuts. I told Mike during the break that night, that we should start every show with The Anthem from then on. We have, and people remember and comment on that one aspect of the show more than anything else we do.

Johnny: About how many shows a month are you guys doing these day?

Tobie: TEAZUR is booked almost every Saturday night, with just a handful of exceptions, for 2019. We always try to schedule a week off after we make a circuit of the normal venues we frequent, but it doesn’t always work out. Folks usually see the breaks in our schedule and want us to play their private party, or a festival.

Clint and I also have an acoustic side project called BlakboX where he plays guitar, and I play bass. It’s a very laid back gig with he and I on barstools playing a mix of rock, country, Motown, and whatever else strikes our fancy. Every now and then, a venue wants us to play a full “Plugged-In” show, and we’ll add Mike to the mix and play as BlakboX Plugged-In.

It’s NOT a TEAZUR show. LoL We rarely cross over any of the material we do between the two projects.

Johnny: Anything on the radar for 2019 that excites you as a band?

Tobie: We just went through another lineup change at the end of 2018, and brought on my old friend Scott Cothran on guitar. Our previous guitarist was looking for a change, and was very busy in his professional life outside of TEAZUR and decided to move on. I had played with Scott in a start-up band just prior to my joining TEAZUR in 2012. It was a seamless transition, and we are still currently adding to our ever-growing and expanding playlist. We have hinted at possibly doing some writing later this year. Other than that, we look forward to continuing to bring our brand of Rock & Roll party to the masses in East Texas, and the surrounding region.

Johnny: How much original stuff creeps into the set list?

Tobie: We’re not ashamed to say that we are primarily a cover band. People typically go see live bands to hear them play their favorite tunes. We know where our bread is buttered. The previous 2 lineups of the band had a string of originals. Just before I joined the band in 2012, TEAZUR recorded a full album, and after I had been in the band for a little over a year, and we went through another lineup change, we had started another album, and had a couple of the tunes played on the radio promoting upcoming events, but everyone got busy in their everyday lives, and we never finished it. Anytime someone specifically requested that we play one of our originals, we’d oblige. It’s been a while since we’ve put any of them in the nightly setlist, but if we’re able to find the time, we’d love to write and record some new music. It’s very difficult with everyone’s schedule to find the time to get together and create new music, but that, of course, is at the top of our wish list.

Johnny: What would you say the secret is to staying together like TEAZUR has, and not just playing, but consistently being rated as one of the top bands in the area?

Tobie: I am constantly reminded of how fortunate I am to be surrounded by such quality musicians that constantly work at honing their craft. We know what each other is capable of, and we know what we expect of ourselves, and of each other, every time we take the stage. You never know when someone is seeing you for the first time, so we go out every night and perform like no one in the room has ever experienced a TEAZUR show, and we set out to make the best of first impressions. We take pride in giving every show the same effort, whether there are 10 people in the audience, or 10,000. We owe it to the people that chose to come spend their evening letting us entertain them, as well as ourselves. This is a fun job! We want the crowd to have as much fun as we’re having!

Johnny: How would you describe a Teazur show to someone who has never seen you, but is thinking about coming out for the first time?

Tobie: I’d say that you’re not going to see a local band perform at a local venue. You’re going to a concert. A concert that you’d hope and expect to see at your choice of concert hall or arena from Liberty Hall in Tyler, to Madison Square Garden in New York City. We want and expect the folks that come to see us play to say that very thing to any of their friends or family when they describe what they experienced after it was over and they’ve made their way home after the show. “Those TEAZUR guys put on a Show!” We end every show with me telling everyone, “Thank you for choosing to spend your evening with TEAZUR. We know there plenty of great bands out there for you to choose from. Please always be kind to one another,and if you have been drinking, Do NOT Drive! We want to see you all again next time we come back here!”

 

Follow TEAZUR on the World Wide Web:

 

www.facebook.com/TEAZUR/

Downtown Tyler

Live Music Guide, Tyler TX

221 S. Broadway, Downtown Tyler TX


To list or make any changes to this Live Music Gig Guide for #tylertx, please e-mail to eguidemagazine@gmail.com. In the constantly changing world of Covid-19 pandemic, we at EGuideMagazine.com are making every attempt to keep everything updated. However, we suggest that you still double-check with the businesses to confirm that the events are still happening.

blue-coral-pools-tyler-tx-728x90


Continue Reading

Family

Cowan Center: Sept. 24th “Menopause the Musical”

stanleys bbq tyler tx eguide magazine

\For more events, check out EGuideMagazine.com ‘s entire

Wondering what is showing at the Cowan Center? 

“This is our 24th Season! We can’t believe it either! We promise to have lots of great talent again and will be gearing up as we celebrate a quarter of a century soon. Over the next 2 years we will be developing programming for new target audiences and upgrading our premiere venue known across the state and beyond as a magnet for amazing artists and shows.”

All events are performed in the Cowan Center located on the campus of The University of Texas at Tyler, 3900 University Boulevard – FAC 1120 in Tyler, TX (Google Map).

QUESTIONS? Call (903)566.7424. More information and TICKETS can also be found at CowanCenter.org. Watch for announcements on Cowan’s Facebook and Twitter pages too.

Upcoming acts are:

Continue Reading

Music

Keeping Her Groove: Lauren Alexander

stanleys bbq tyler tx eguide magazine

By Johnny Griffith

2020 hasn’t been a kind year for working musicians, or really just about anyone for that matter, but it certainly seems in the maelstrom of chaos created by Covid-19, the financial and creative toll for musicians hasn’t been getting front-page news. 

Live Music in Tyler TX

See who is playing where at EGuide’s Gig Guide!

Between the complete shutdown, partial re-open, and then partial shutdown again, the number of stages up for grabs has shrunk dramatically, making gigs harder to come by. 

On top of that is the balancing act of health concerns for yourself and your family versus the desire to get out and connect with audiences and fellow bandmates. To say the landscape is challenging would be a gross understatement.

But musicians are a resilient, creative lot and have found various ways throughout the last few months to still get their music out for public consumption whether it be via live stream acoustic shows in their kitchens, new material available for streaming, or starting a podcast

All of these have given fans a much-needed connection to their favorite musicians, in a surprisingly more intimate setting, allowing for real-time requests and interactions as well as giving people an opportunity to still support the music with online donations via Paypal, Venmo, etc.

Speaking of podcasts (see what I did there?) I had the opportunity recently to sit down (virtually) with one of our local musicians, Lauren Alexander, and talk about how things have been going in the midst of the shut down for her, her family, and her band and what she’s been doing to stay occupied in 2020.

Johnny: First of all, great to get to interview you again. I think the last time we talked was in 2017 and you had a baby and a new album on the way. A lot has transpired since then, but how has the transition to juggling motherhood and being a full-time musician gone?

Lauren: Thank you so much for taking the time to chat. Yes, a lot has changed since 2017. My baby is now 2 ½ and the world has gone mad! But seriously, besides the obvious hard times that are going on, things have been great. 

Motherhood has been the most incredible, rewarding journey. It was definitely a weird transition for me though, and something I’m sure I will always be working on. When you become a parent, everything changes. Everything becomes about somebody else, and there is SO much planning involved. If we’ve got a gig, I’ve got to make sure I’ve got a babysitter. I’ve got to make sure there are diapers, and toys, and snacks in the diaper bag. And most importantly, I have to make sure I raise a kind and loving human. 

I’ve definitely had to step up my game. I’ve never been much of a planner, I’m usually a “go with the flow and see what happens” kind of gal. So, yeah, the transition has definitely had its challenges. But I’ve grown in every area of my life. My songwriting is so much deeper, and more meaningful now, and I owe it all to my son, Rhodes.

Johnny: Speaking of a world gone mad, everything for working musicians pretty much turned upside down this past spring. What went through your mind when the order to close all bars, limit gatherings, etc., came down? 

Lauren: It was scary. Most of our income comes from playing live music, so not being able to play or book future shows has been weird and hard. 

Everything feels uncertain. But I’ve been doing a lot of writing and filling up my cup. I’m trying not to focus too much on what I can’t do, and focus instead on things I can do. Although this season is hard, I know it’s not forever. 

Johnny: As things have sort of opened back up then closed back down and the general yo-yo effect has become the new normal, have you been working toward any specific goals for when things get back to “normal?”

Lauren: I’ve got a new album called “Field Notes” coming out. We are almost done recording, so I’ve been working really hard on that. 

I know a lot of bands are playing live right now, but that’s really not an option for me with a young kiddo. Our babysitting options are very few at the moment. 

I’m not sure how touring will look going forward, but I feel good knowing that right now, I’m doing what I need to do to keep my family safe…even when my heart is aching for the road.

Johnny: A lot of musicians started doing live streams just to maintain that sense or normalcy, and to give fans a way to still enjoy that live music experience as well as show their appreciation through some creative tipping avenues. Did you climb on that train and, if so, did you feel that adequately satiated that desire to perform live in front of an in-person audience or did it still lack that…something? 

Lauren: I’ve done one live stream, and I’ve got another scheduled September 17th with the fine folks at Universal Language. 

But I’ve gotta say, that first one was weird. I was really nervous. It’s hard to connect through a screen. I’m glad we have the option to do live streams, but I sure do miss the connection. 

People have been very generous buying merch though. That has been so helpful. I’m not even sure they realize how much it means to an artist, especially right now. Spending $20 on a shirt helps keep the lights on and food on the table. It’s also what has made recording this new music possible.

Johnny: So, you’ve got this new podcast, Groove LAB, you’ve started. When did that idea start to take shape in your head? Was it a product of boredom from the lack of a live creative outlet or was it something you’d had in mind for a while, or simply the fruition of a few conversations sitting around with bandmates and family? Or perhaps all of the above?

Lauren: Starting the Groove LAB podcast has been something I’ve talked about for a while. I started listening to podcasts when my son was born so I could have some “adult interaction” and feel like I was with friends when I couldn’t be. I’m not the kind of person who can sit around doing nothing, so I just decided to go for it. 

Johnny: Were there any specific challenges to overcome in taking it from idea to reality?

Lauren: Luckily, we had most of the equipment we needed to record a podcast already, and my husband, Richie, was quick to get it set up. I do struggle with shyness, so reaching out and asking questions can be uncomfortable for me. I’m usually on the other side of the interview! Coming up with good questions, keeping the conversation flowing, while also knowing what I’m going to ask next is definitely a different skill set. Luckily, there’s always room for growth and learning, and I so appreciate everyone’s support in this new venture. 

Johnny: So when you made the decision “Yes, we’re going to do this,” did you have a solid idea of what your focus would be on or did that take shape on the fly?

Lauren: I knew I wanted to talk about music, but not really the full ins and outs of it. I also knew that unlike music, where I can practice and rehearse in private, I would need to jump in blindly with this and figure out how to make a good podcast host while in the thick of it. I’m not great at it yet, but the more episodes I record, the more comfortable I feel. I love the idea of giving other people in the music industry an outlet to talk about their art. The world is overflowing with incredibly creative and talented people, and I hope to speak to as many as I can!

Johnny: So how did you land on the name Groove LAB?

Lauren: It was a back and forth for several weeks on what we should call the podcast. I aspire to make music you can groove to so that part was easy. LAB is an acronym for Lauren Alexander Band. I thought it would be fun to have that little element in the name. Groove LAB just felt really good and natural.

Johnny: You’ve got a couple of episodes under your belt now. How has the reality of producing a podcast been different from the idea?

Lauren: It’s a lot of work! There’s lots of editing involved. And I truly didn’t realize the number of times I said ‘um’ and ‘like’! I’m working hard to figure out the transitions of keeping a conversation flowing and asking every question that’s on my list. 

I’m also starting to look into analytics and talk with people about sponsorships which have me very out of my element. But it’s great. There’s been lots of learning involved and I just kind of jumped in with nothing to lose so it’s not super stressful.

Johnny: The first couple of episodes have certainly been entertaining and given us a personal look into the lives of a couple of musicians that, at least for me, were off the radar. What is your vision moving forward for the podcast

Lauren: I’m glad you think so. I listen back and think, “Oh God, is this really how I sound when I talk?!?” 

I’m only used to hearing my singing voice played back. Moving forward, I just hope that people keep enjoying it. I want to continue to grow and get better, and to be able to stay in the loop of what’s going on in the music scene. 

Johnny: Do you have any guests lined up you’re particularly excited about?

Lauren: I’m going to interview Drew Hall from Rosewood Studios soon. And Robert Woodward from Wunderful Design Co.! They’ve both been invaluable in helping me with my creative vision, so it will be fun to hear what they have to say and see if they have any good tips for other artists.

Johnny: Thanks again for taking the time to tackle some questions for us. Last question…who are you listening to, besides yourself, that really excites you these days?

Lauren: Thank you! I’ve been letting myself fall in love again with old favorites who have shaped me over the years….Pink Floyd, Neil Young, The Beatles. I’m also throwing in some TLC and No Doubt for good measure. 

You can follow with Lauren’s adventures in podcasting online:

Continue Reading

More To Do!