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Kelly Gowan: Taking Strength from Her Art

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How an Emerging East Texas Artist Beat Breast Cancer and Made Her Dreams Come True

In the spirit of Breast Cancer Awareness Month in October, I am proud to introduce an amazing abstract artist, who also happens to be a stage III Breast Cancer Survivor. Her name is Kelly Gowan, and she is someone you are definitely going to want to follow.

Earlier this year, Kelly was accepted in the prestigious Fort Worth Main Street Arts Festival, where more than 1,500 artists applied and only about 215 were accepted. By the end of the weekend her booth had sold out, and the event proved to be a springboard from which she hasn’t slowed down.

Her styles are unique with jaw dropping large pieces of abstract resins that look like oceans or marble geode rocks. She slips into her painting zone where she mixes resin with various mediums and inks, while utilizing a blow torch and heat gun to achieve the end results. She also does abstract acrylics utilizing water and movement to create unique pieces. These crazy acrylics are done outside where she can be as messy as she wants. Her paintings are all created from feelings of the moment. The images formed during the process can betray many different emotions, but you will see in her work it is mostly peace, happiness, and strength. She has successfully worked with clients’ homes and businesses to come up with pieces of art that truly add beauty to the environment and she welcomes commissioned work.

Kelly is excited to have her first art exhibition in Tyler. If you enjoy art, food, and drinks, you should come see her October 14th, 1-8pm, at Tyler Innovation Pipeline, 217 E. Oakwood St., Downtown Tyler, just blocks from the activities of Tyler’s main street and across from the Tyler Transit Department and Cotton Belt Depot.

Drinks are being donated by True Vine Brewery, and there will be some local food trucks as well. The Tyler Innovation Pipeline is housed in an early 20th century building that was completely renovated with all new state of the art technology and machinery for an entrepreneurship shared space of the community’s freelancers, consultants, and Shark Tank want-to-be’s. Gowan’s art is now on display throughout the entire building and is also for sale. There will be auctioned art on October 14th during the monthly Hit the Bricks event Downtown, as well as other pieces and prints you can purchase and take with you.

Kelly’s art is displayed in a growing list of other East Texas locations as well. As part of its interior renovation, Wasabi’s Sushi Restaurant off Broadway and Donnybrook Ave. is hosting a six-month exhibit of Kelly’s pieces throughout the restaurant that are for sale.

Her pieces are also featured in what she calls “a hidden gem for great pizza” at Moe’s Pizza near Holly Lake Ranch. Moe recently renovated his restaurant after a flood, and the modern new interior design with tall ceilings and gorgeous cedar beam accents make for a great place to hang some of her art.

Kelly Gowan is an amazing example of what happens when someone goes through a life altering experience, such as breast cancer. She went from owning a staffing company, living in Dallas, to fulfilling her dreams of living on a lake and painting. But before she got to where she is today, she was truly put to the test of life with cancer.

Kelly was only 31 and had two babies in diapers in 2005 when she was diagnosed with the most aggressive type of breast cancer, stage III, in her lymph nodes. Her cancer was detected because she felt a lump while taking a shower.  Initially it was thought to be related to recently having had babies, but later found out it was cancer. Before she knew it, her life spiraled, and she had a port installed to administer chemo, a lumpectomy, which did not get all the cancer, a bi-lateral mastectomy, radiation, reconstruction, and after care.

She is here today as a testimony to anyone going through cancer, to never give up and to follow your dreams. She believes very strongly in the power of prayer and staying positive. All that she went through helped bring her to where she is today.

When not creating resins in her inside studio, she loves to be outside with her paint, canvas, and water. Not only the water in the lake giving her inspiration, but she is a messy painter who uses water with various mediums to achieve a specific look such as in the painting of a tree she called “Strength.” “Strength” was actually a painting she submitted to apply as an artist in the Fort Worth Main Street Art Show.

Strength is what Kelly truly represents. Prints of this painting will be for sale at her exhibition on October 14th at Tyler Innovation Pipeline.

For more info about Kelly’s journey of art and life go to kellygowan.com or find Kelly Gowan Art on Facebook.

Art

15th Annual Life in Tyler Photography Contest Now Seeking Entries

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The City of Tyler Parks and Recreation Department is seeking entries for the 2020 Life in Tyler photography contest. Entries will be accepted from March 2nd to 10th.

Photos will be exhibited at the Rose Garden Center during the 2020 Azalea Trails, March 21st through April 5th. Ribbons and prizes will be awarded for the Best of Show entry as well as first, second and third place for each of the 12 categories.

Registration forms are available online at TylerParksandRec.com, at the Parks and Recreation office at 2000 W. Front St. or at the Rose Garden Center, 420 Rose Park Dr.

For more information, please call Debbie Isham, special events/recreation manager, at (903) 531-1214 or email disham@tylertexas.com.

About the Tyler Parks and Recreation

The Parks and Recreation Department provides oversight for the City’s open spaces, athletic complexes and recreationally oriented programs for the use of all residents and visitors. Staff members diligently maintain a proactive maintenance program for over 26 park areas including oversight of maintenance activities on 23 playgrounds, traffic islands and medians, landscaping at City buildings, cemeteries and the downtown square. They also provide for the propagation of seasonal and perennial plant materials utilized in the Parks beautification programs, as well as the maintenance of trees in the Parks system. The mission of the Tyler Parks and Recreation Department is to improve the quality of life for our residents and guests by providing superior parks, cemeteries, recreational and tourism opportunities. Our vision is to provide residents and visitors with attractive outdoor spaces that are well maintained while continuing to be fiscally responsible. Learn more at www.TylerParksandRec.com.

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Bloom Where You are Planted, Buy Local

By Derrick White

Glasstire is an online art magazine covering topics in Texas contemporary art. They produce thoughtful art criticism and are the journal of record for our extensive Texas visual art community. The website’s name is a reference to the glass tire sculptures of East Texas native Robert Rauschenberg (1925 – 2008), who was from Port Arthur. Glasstire holds the belief that great art can come from anywhere. In the last few years the website has expanded into the realm of podcasts. In their podcast titled Art Dirt: The Personalities of Texas’ Art Cities, Publisher Brandon Zech and Editor-in-chief Christina Rees discuss what makes each of Texas’ distinct art regions tick and the potential for success for visual artists. 

Rees was the juror for the University of Texas at Tyler’s 34th Annual International Exhibition and witnessed some of the dynamic art aspects happening here. As you might imagine, the bulk of the podcast is devoted to the larger visual art market cities of Dallas, San Antonio, Austin, and Houston; but they also talk about the panhandle, West Texas, southern border cities, and East Texas gets a shout out towards the end.  

Christina states, “What happens if you go out to East Texas, with a place like Tyler, is you’ve got the universities, you’ve got schools, you’ve got faculty. They are there to stay. They make art and they are bringing up students through their programs and it’s sort of a ‘bloom where you are planted’ thing. Start your own art scenes. Have an art community, busy making work and making it for its own audience – you know, those aren’t necessarily places to move to if you don’t already live there but if you are there, there is a way to make something, however small, feel quite thriving and to have dialogue and to have a community, an actual working community.” 

Brandon Zech responds, “Or maybe they are places to move to depending on if you have this really cool idea as long as you can get local support and you can band together with people who also think your idea is awesome, especially if you are moving into a community you don’t know. But the real crux of this: it only takes one person to really change and make an impact on an art scene, be it in Tyler or in Brownsville, or really even in Houston.” 

Rees concludes, “Once you reach a certain age you will have friends who have moved to big art centers, New York or Los Angeles, and have burned out. They got up there and they had to work two full-time jobs and they stopped making their art because they were too busy making a living and paying rent. They want to come to Texas, or come back to Texas, or figure out a way to be able and have a studio and make work and live comfortably and be creative. I don’t think being completely stressed out by having to make a living all the time and not getting to make your work is necessarily ennobling. I don’t think it’s creatively inspiring, and I think this whole character building up exercise of moving to New York City and living in a (dump) and working sixty hours weeks and trying to get some traction is not necessarily the only way to go anymore. There are a lot of different art worlds and you can make your own art world. Things are changing rapidly.”

Things are changing rapidly. That statement struck a sympathetic chord with me and reiterated a belief I stated in a podcast interview with ETX Creatives founders Addie Moore and Lisa Horlander. “I like what is changing in East Texas and in our visual arts community and the arts community in general. It’s got legs and a driving force it hasn’t had before. East Texas, in general, is changing for the better and I think there are more opportunities coming for visual artists in our region than before. Sixteen years ago, if I had an aspiring visual art student in class, the best advice I could give them was … move. Go to Dallas, go to Austin, go to Houston, go to Abilene, all these different communities supporting their arts so much better than we used to. I really believe this is changing now better than it ever has been, and if we could introduce some of the money here in East Texas to some of our local creatives and get it all off the ground, then I think the sky’s the limit for what is coming in the future,” I declared. 

We are at critical mass for visual art. We have excellent regional museums, universities, and colleges with inspiring art programs filled with professional artists, and we have amazing emerging student artists who are sticking around and building supportive, innovative communities. We have support from new and established locally owned businesses and civic communes throughout East Texas giving opportunities to local visual artists. What we need is collector financial support, people willing to invest in budding talents here at home. Start buying original, local art.

There are many reasons original art brings fulfillment to those who collect. When purchasing art, you may think about décor and how it will fit into your home. Are you looking for an exciting piece, something comfortable and welcoming, or are you looking for something striking out as a room’s focal point? Whatever original art you choose, you will eventually find yourself enchanted by how it becomes a part of your home and a part of your life. By seeking out and supporting emerging artists, collectors may find the pieces they have bought increase in value as emerging artists become established. 

Owning original art enriches your life and has the potential to make you happy. You enjoy the satisfaction of having a good eye for what fits your personal aesthetic. You get the gratification of having helped and encouraged a local creative who may have depended on your purchase as sustenance they needed to keep going. You have added to the cultural enrichment of our region. You own one of a kind art not existing anywhere else in the world. 

Writer’s note: The Art Guys, a collaborative performance art duo based in Houston, sadly lost Michael Galbreth, who died in October 2019. Galbreth was married to Rainey Knudson, the founder of Glasstire. Condolences.

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Michael Brundidge: Inside the Artist’s Studio

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Some People Call Me the Space Cowboy

By Derrick White

“You are free to do what you want! So go out and get it,” exclaims local artist Michael Brundidge. Michael is a cheerful, energetic, friendly, and laid back personality you are more than likely to encounter during your next visit to True Vine Brewing Company, where he works. His artwork may also be seen there, perhaps being displayed in a one-night, pop-up art exhibition or permanently installed in spots around the brewery. Michael’s art is primarily collages. This is something I personally value because about half of my own artwork is in the medium of collage and I appreciate it when I see it and when I see it done well.

The word collage comes from a French word meaning “to glue” and it is a prevalent and accessible visual art technique, where the composition is created from grouping different colors, forms, and images and creating a new, and sometimes very different, whole. Collages may include drawings and sketches, magazine and newspaper clippings, ribbon, paint, handmade papers, text lettering or phrases, photographs, prints, and other found objects selected and attached to paper, canvas, wood panels, or other supports. The ancestry of the process of collage dates back hundreds of years. 

Brundidge explains, “My main focus in style lately is mixed media collage artwork. Outer space has been the most prevalent theme and inspiration in my current series “Space Is The Place.” I like to mingle Pop Art, Surrealism, and a splash of Neo-Dadaism (an absurdist combination of daily life and art using playfulness, iconoclasm, and appropriation).” He goes on to add, “I use plywood as my canvases (or supports) and acrylic paint for the backgrounds. I love how the acrylic soaks into the plywood. I think the textures really visually pop creating a combination matte and glossy finish to my backgrounds. I use clippings and cutouts of various images found in old magazines from the 1940’s, 1950’s, and 1960’s. I really enjoy the textures and color palettes used in those decades. I juxtapose images of people, places, and things I find interesting onto my painted backgrounds. I like to call it manual Photoshop. The images most often reoccurring throughout my pieces are large ominous hands, planets, women, and astronauts.” After Michael creates his collages he then finishes them by creating a custom frame for each individual piece using weathered or repurposed wood, which adds to the charm and content of the work.

Other than elementary school art classes, Michael Brundidge does not have any formal training in visual art. He is a self-taught artist, sometimes referred to as an outsider or folk artist for the unique qualities of style and practice. When making art to make art, there is no critique deadline and no teacher to please. This is one of the open-ended concepts I love about creating art: the fact you can just decide to do it. If you feel inspired to start making, sharing, and selling art, you can put a sign in your yard today and become just as much of an artist as anyone else. No degree or certification, training, or experience required. This does not mean you will automatically have any success, be any good, or make anything interesting, but you might. You get to express yourself and your unique human experience to the rest of us however you feel compelled to do so. This concept applies to everyone, of any age, of any skill set, and by any means. You cannot do this with most other occupations. You cannot decide to randomly put a sign in your yard and start practicing dentistry, for example. Or as Michael Brundidge puts it, “You are free to do what you want! So go out and get it.”

What inspired Michael down the path of pursuing art was, as he states, “Honestly, it was loneliness and alienation. I know it sounds dismal and depressing but I was truly hard-pressed to do something. I did not feel as though I had much of an identity. Making art brought back vitality, confidence, and purpose in my life.” Adding, “It has developed my trait of persistence. Art has given me the will to continue on despite ridicule, hang-ups, and depravity.” What Michael finds frustrating about being an artist is, in his words, “Exclusivity and competition. I disagree and do not participate in any art based competitions. Art is extremely subjective. Critics and the upper crust held in high regard can make or break an artist. Anyone can make art. I dare and laud them to do so. I truly believe art is a party and everyone is invited.  Make art to make art. Elitism is too common in the art world. The idea that money talks and has unquestionable influence in the art world is a fallacy. Every artist matters and all content must be considered.” So everyone could, and I believe should make art. The process is emotionally healing and therapeutic. It doesn’t matter if you are interested in playing the game of the big money buying and selling art world, which is an economy just like every other commodity-driven economy in the world. Make art by you for you, and let the rest fall where it may whether you are a joker, a lover, or a sinner.

Speaking of jokers, Michael finds inspiration in the works of artist Ray Johnson, who was primarily a collage and correspondence artist. He was described as New York’s most famous unknown artist. Michael exclaims, “He was relentless and continuously persistent in his artwork. He was a recluse staying vigilant and persistent in his process. His media ebbed and flowed at his inclination. Johnson was a prankster in expectation. His content was his own and he did not sway his ideology and process. He even determined and called the shots when it came time for him to leave this world.” On January 13, 1995, Ray Johnson dove off a bridge and then backstroked out to sea in an apparent suicide or perhaps final performance art piece. Strange aspects of Johnson’s death involved the number 13 (date; his age, 67 (6+7=13); his motel room number 247 (2+4+7=13) … and the number of letters in “Me Space Cowboy”). Learn more about Johnson in the documentary film “How to Draw a Bunny.” Learn more about Brundidge by going to True Vine and having a beer.

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